“Doesn’t look so little to me,” Jake said. He couldn’t tell how many beds there were, but he guessed the number at three hundred. Three hundred at least.
“Mayhap we’ll come upon a larger one before we’re finished. Tell your tale, Susannah, and you too, Jake.”
“Where do we go from here?” Eddie asked.
“Perhaps the tale will tell,” Roland answered.
Two
Roland and Eddie listened in silent fascination as Susannah and Jake recounted their adventures, turn and turn about. Roland first halted Susannah while she was telling them of Mathiessen van Wyck, who had given her his money and rented her a hotel room. The gunslinger asked Eddie about the turtle in the lining of the bag.
“I didn’t
“If you’d tell this part again, I’d hear,” Roland said.
So, thinking carefully, trying to remember completely (for it all seemed a very long time ago), Eddie related how he and Pere Callahan had gone up to the Doorway Cave and opened the ghostwood box with Black Thirteen inside. They’d expected Black Thirteen to open the door, and so it had, but first—
“We put the box in the bag,” Eddie said. “The one that said NOTHING BUT STRIKES AT MIDTOWN LANES in New York and NOTHING BUT STRIKES AT MID-
They all did.
“And I felt something in the lining of the bag. I told Callahan, and he said…” Eddie mulled it over. “He said, ‘This isn’t the time to investigate it.’ Or something like that. I agreed. I remember thinking we had enough mysteries on our hands already, we’d save this one for another day. Roland, who in God’s name put that thing in the bag, do you think?”
“For that matter, who left the bag in the vacant lot?” Susannah asked.
“Or the key?” Jake chimed in. “I found the key to the house in Dutch Hill in that same lot. Was it the rose? Did the rose somehow…I dunno…make them?”
Roland thought about it. “Were I to guess,” he said, “I’d say that sai King left those signs and siguls.”
“The writer,” Eddie said. He weighed the idea, then nodded slowly. He vaguely remembered a concept from high school — the god from the machine, it was called. There was a fancy Latin term for it as well, but that one he couldn’t remember. Had probably been writing Mary Lou Kenopensky’s name on his desk while the other kids had been obediently taking notes. The basic concept was that if a playwright got himself into a corner he could send down the god, who arrived in a flower-decked bucka wagon from overhead and rescued the characters who were in trouble. This no doubt pleased the more religious playgoers, who believed that God — not the special-effects version who came down from some overhead platform the audience couldn’t see but the One who wert in heaven — really
Little safety nets, like a key. Not to mention a scrimshaw turtle.
“If he wrote those things into his story,” Eddie said, “it was long after we saw him in 1977.”
“Aye,” Roland agreed.
“And I don’t think he thought them up,” Eddie said. “Not really. He’s just…I dunno, just a…”
“A bumhug?” Susannah asked, smiling.
“No!” Jake said, sounding a little shocked. “Not that. He’s a sender. A telecaster.” He was thinking about his father and his father’s job at the Network.
“Bingo,” Eddie said, and leveled a finger at the boy. This idea led him to another: that if Stephen King did not remain alive long enough to write those things into his tale, the key and the turtle would not be there when they were needed. Jake would have been eaten by the Doorkeeper in the house on Dutch Hill…always assuming he got that far, which he probably wouldn’t have done. And if he escaped the Dutch Hill monster, he would’ve been eaten by the Grandfathers — Callahan’s Type One vampires — in the Dixie Pig.