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From behind him — perhaps at the top of the long staircase, perhaps already on it — someone yelled, “That’s him!” There were gunshots, but Jake barely heard them. To his intense horror, something had crawled inside his head. Something like a mental hand. He thought it was probably the low man who had spoken to him through the door. The low man’s hand had found dials in some kind of Jake Chambers Dogan, and was fiddling with them. Trying (to freeze me freeze me in place freeze my feet right to the floor) to stop him. And that voice had gotten in because while he was sending and receiving, he was open

Jake! Jake, where are you?

There was no time to answer her. Once, while trying to open the unfound door in the Cave of Voices, Jake had summoned a vision of a million doors opening wide. Now he summoned one of them slamming shut, creating a sound like God’s own sonic boom.

Just in time, too. For a moment longer his feet remained stuck to the dusty floor, and then something screamed in agony and pulled back from him. Let him go.

Jake got moving, jerkily at first, then picking up steam. God, that had been close! Very faintly, he heard Susannah call his name again but didn’t dare throw himself open enough to reply. He’d just have to hope that Oy would hold onto her scent, and that she would keep sending.

<p><strong>Three</strong></p>

He decided later that he must have started singing the song from Mrs. Shaw’s radio shortly after Susannah’s final faint cry, but there was no way of telling for sure. One might as well try to pinpoint the genesis of a headache or the exact moment one consciously realizes he is coming down with a cold. What Jake was sure of was that there were more gunshots, and once the buzzing whine of a ricochet, but all that was a good distance behind, and finally he didn’t bother ducking anymore (or even looking back). Besides, Oy was moving fast now, really shucking those furry little buns of his. Buried machinery thumped and wheezed. Steel rails surfaced in the passageway floor, leading Jake to assume that once a tram or some other kind of shuttle had run here. At regular intervals, official communiqués (PATRICIA AHEAD; FEDIC; DO YOU HAVE YOUR BLUE PASS?) were printed on the walls. In some places the tiles had fallen off, in others the tram-rails were gone, and in several spots puddles of ancient, verminous water filled what looked for all the world like potholes. Jake and Oy passed two or three stalled vehicles that resembled a cross between golf-carts and flatcars. They also passed a turnip-headed robot that flashed the dim red bulbs of its eyes and made a single croaking sound that might have been halt. Jake raised one of the Orizas, having no idea if it could do any good against such a thing if it came after him, but the robot never moved. That single dim flash seemed to have drained the last few ergs in its batteries, or energy cells, or atomic slug, or whatever it ran on. Here and there he saw graffiti. Two were familiar. The first was ALL HAIL THE CRIMSON KING, with the red eye above each of the I’s in the message. The other read BANGO SKANK, ’84. Man, Jake thought distractedly, that guy Bango gets around. And then heard himself clearly for the first time, singing under his breath. Not words, exactly, but just an old, barely remembered refrain from one of the songs on Mrs. Shaw’s kitchen radio: “A-wimeweh, a-wimeweh, a-weee-ummm-immm-oweh…”

He quit it, creeped out by the muttery, talismanic quality of the chant, and called for Oy to stop. “Need to take a leak, boy.”

“Oy!” Cocked ears and bright eyes providing the rest of the message: Don’t take too long.

Jake sprayed urine onto one of the tile walls. Greenish dreck was seeping between the squares. He also listened for the sound of pursuit and was not disappointed. How many back there? What sort of posse? Roland probably would have known, but Jake had no idea. The echoes made it sound like a regiment.

As he was shaking off, it came to Jake Chambers that the Pere would never do this again, or grin at him and point his finger, or cross himself before eating. They had killed him. Taken his life. Stopped his breath and pulse. Save perhaps for dreams, the Pere was now gone from the story. Jake began to cry. Like his smile, the tears made him once again look like a child. Oy had turned around, eager to be off on the scent, but now looked back over one shoulder with an expression of unmistakable concern.

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Звездная месть
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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

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Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика