The Complete Stories (forword by John Updike)

To regain my composure after such lapses I make a practice of reviewing the burrow, and after the necessary improvements have been carried out, frequently leave it, though only for a short spell. Even at such moments the hardship of being without it for a long time seems too punitive to me, yet I recognize clearly the need for occasional short excursions. It is always with a certain solemnity that I approach the exit again. During my spells of home life I avoid it, steer clear even of the outer windings of the corridor that leads to it; besides, it is no easy job to wander about out there, for I have contrived there a whole little maze of passages; it was there that I began my burrow, at a time when I had no hope of ever completing it according to my plans; I began, half in play, at that corner, and so my first joy in labor found riotous satisfaction there in a labyrinthine burrow which at the time seemed to me the crown of all burrows, but which I judge today, perhaps with more justice, to be too much of an idle tour de force, not really worthy of the rest of the burrow, and though perhaps theoretically brilliant — here is my main entrance, I said in those days, ironically addressing my invisible enemies and seeing them all already caught and stifled in the outer labyrinth — is in reality a flimsy piece of jugglery that would hardly withstand a serious attack or the struggles of an enemy fighting for his life. Should I reconstruct this part of my burrow? I keep on postponing the decision, and the labyrinth will probably remain as it is. Apart from the sheer hard work that I should have to face, the task would also be the most dangerous imaginable. When I began the burrow I could work away at it in comparative peace of mind, the risk wasn't much greater than any other risk; but to attempt that today would be to draw the whole world's attention, and gratuitously, to my burrow; today the whole thing is impossible. I am almost glad of that, for I still have a certain sentiment about this first achievement of mine. And if a serious attack were attempted, what pattern of entrance at all would be likely to save me? An entrance can deceive, can lead astray, can give the attacker no end of worry, and the present one too can do that at a pinch. But a really serious attack has to be met by an instantaneous mobilization of all the resources in the burrow and all the forces of my body and soul — that is self-evident. So this entrance can very well remain where it is. The burrow has so many unavoidable defects imposed by natural causes that it can surely stand this one defect for which I am responsible, and which I recognize as a defect, even if only after the event. In spite of that, however, I do not deny that this fault worries me from time to time, indeed always. If on my customary rounds I avoid this part of the burrow, the fundamental reason is that the sight of it is painful to me, because I don't want to be perpetually reminded of a defect in my house, even if that defect is only too disturbingly present in my mind. Let it continue to exist ineradicably at the entrance; I can at least refuse to look at it as long as that is possible. If I merely walk in the direction of the entrance, even though I may be separated from it by several passages and rooms, I find myself sensing an atmosphere of great danger, actually as if my hair were growing thin and in a moment might fly off and leave me bare and shivering, exposed to the howls of my enemies. Yes, the mere thought of the door itself, the end of the domestic protection, brings such feelings with it, yet it is the labyrinth leading up to it that torments me most of all. Sometimes I dream, that I have reconstructed it, transformed it completely, quickly, in a night, with a giant's strength, nobody having noticed, and now it is impregnable; the nights in which such dreams come to me are the sweetest I know, tears of joy and deliverance still glisten on my beard when I awaken.