Neither danger came about. I reached the gutter over the guest corridor and waited, breathing through my mouth alone so that I wouldn't make any noise.
The blood that pounded through my ears deafened me for a moment, but there was nothing to fear. Voices murmured, Sarah and Sergeant Grant, and the door that had waited ajar for the tank lord clicked to shut the suite.
Four of the Baron's soldiers mounted the outside steps, as quietly as their boots permitted. There were faint sounds, clothing and one muted clink of metal, from the corridor on the Baron's side of the door.
All day I'd been telling myself that there was no safe way I could climb down and watch the events through a window. I climbed down, finding enough purchase for my fingers and toes where weathering had rounded the corners of stone blocks. Getting back to the roof would be more difficult, unless I risked gripping an out-swung casement for support.
Unless I dropped, bullet-riddled, to the ground.
I rested a toe on a window ledge and peeked around the stone toward the door of the suite the lovers had used on their first assignation. I could see nothing—
Until the corridor blazed with silent light.
Sarah's face was white, dazzling with direct reflection of the high-intensity floods at either end of the hallway. Her mouth opened and froze, a statue of a scream but without the sound that fear or self-preservation choked in her throat.
Feet, softly but many of them, shuffled over the stone flags toward the Chief Maid. Her head jerked from one side to the other, but her body did not move. The illumination was pinning her to the door where she kept watch.
The lights spilled through the corridor windows, but their effect was surprisingly slight in the open air: highlights on the parked tanks; a faint wash of outline, not color, over the stones of the wall and gatehouse; and a distorted shadow play on the ground itself, men and weapons twisting as they advanced toward the trapped maid from both sides.
There was no sign of interest from the gatehouse. Even if the tank lords were awake to notice the lights, what happened at night in the palace was no affair of theirs.
Three of perhaps a dozen of the Baron's soldiers stepped within my angle of vision. Two carried rifles; the third was Murphy with a chip recorder, the spidery wands of its audio and video pickups retracted because of the press of men standing nearby.
Sarah swallowed. She closed her mouth, but her eyes stared toward the infinite distance beyond this world. The gold signet she clutched was a drop from the sun's heart in the floodlights.
The Baron stepped close to the woman. He took the ring with his left hand, looked at it, and passed it to the stooped, stone-faced figure of the Chamberlain.
"Move her out of the way," said the Baron in a husky whisper.
One of the soldiers stuck the muzzle of his assault rifle under the chin of the Chief Maid, pointing upward. With his other hand, the man gripped Sarah's shoulder and guided her away from the door panel.
Wolfitz looked at his master, nodded, and set a magnetic key on the lock. Then he too stepped clear.
The Baron stood at the door with his back to me. He wore body armor, but he can't have thought it would protect him against the Slammer's powergun. Murphy was at the Baron's side, the recorder's central light glaring back from the door panel, and another soldier poised with his hand on the latch.
The Baron slammed the door inward with his foot. I do not think I have ever seen a man move as fast as Sergeant Grant did then.
The door opened on a servants' alcove, not the guest rooms themselves, but the furnishings there were sufficient to the lovers' need. Lady Miriam had lifted her skirts. She was standing, leaning slightly backwards, with her buttocks braced against the bed frame. She screamed, her eyes blank reflections of the sudden light.
Sergeant-Commander Grant still wore his helmet. He had slung his belt and holstered pistol over the bedpost when he unsealed the lower flap of his uniform coveralls, but he was turning with the pistol in his hand before the Baron got off the first round with his mob gun.
Aerofoils, spread from the flaring muzzle by asymmetric thrust, spattered the lovers and a two-meter circle on the wall beyond them.
The tank lord's chest was in bloody tatters and there was a brain-deep gash between his eyebrows, but his body and the powergun followed through with the motion reflex had begun.
The Baron's weapon clunked twice more. Lady Miriam flopped over the footboard and lay thrashing on the bare springs, spurting blood from narrow wounds that her clothing did not cover. Individual projectiles from the mob gun had little stopping power, but they bled out a victim's life like so many knife blades.
When the Baron shot the third time, his gun was within a meter of what had been the tank lord's face. Sergeant Grant's body staggered backward and fell, the powergun unfired but still gripped in the mercenary's right hand.