The Bone Clocks

THE AUSTRIAN-ETHIOPIAN DJ is silent and hooded, won’t take requests, and, in the last hour alone, has loped through remixes of the KLF’s “3 A.M. Eternal,” Phuture’s “Your Only Friend,” and the Norfolklorists’ “Ping Pong Apocalypse.” Club Walpurgis is housed in the basement annex of the vast and elderly Hфtel Le Sud, a six-floor, hundred-room angular labyrinth converted in the 1950s from a sanatorium for the tubercular and very wealthy. A recent refit has stripped Club Walpurgis down to a bare-brick Bowie-in-Berlin look, and expanded the dance floor to the size of a tennis court. Submarine lights are strobing and a decent percentage of the two to three hundred dancing skeletons clad in young flesh and high-end apparel is young and female. A snort or two of devil’s dandruff has reerected the Mighty Quinn from his emotional crash earlier, so all four of us have come clubbing. Unusually, I’m the only one who isn’t in the act of pulling; my three fellow Humberites are sitting on a horseshoe-shaped sofa, each nursing a young, attractive black girl. No doubt Chetwynd-Pitt is playing his nineteenth-in-line-to-the-throne card—the drunker he gets, the bluer his blood—Fitzsimmons is flashing his francs, and presumably Quinn’s squeeze just finds him cute and fluffy. Fair play to them all. Any other night I’d go fishing too, and I won’t pretend my Alpine glow, Rupert Everett sultriness, charcoal Harry Enna shirt, and Makoto Grelsch jeans wrapping my rower’s torso aren’t drawing long-lashed attention, but this New Year’s Eve I’d rather get blown by a dance track. Could I be on to a Temptation of Christ deal whereby an act of continence at Club Walpurgis tonight earns me credit in the Bank of Karma to be redeemed by a certain girl from Gravesend? Only Dr. Coke has the answer, and after this archangelic remix of “Walking on Thin Ice” by somebody or other, I’ll go and consult with the good medicine man …

THE CUBICLES IN the Gents are as commodious as Le Bog du Croc is not, and seemingly designed for the insufflation of cocaine: frequently cleaned, spacious, and sans that incriminating gap between the top of the door and the ceiling so common in British clubs. I seat myself upon the throne and produce my compact mirror—borrowed from an elfin Filipina who was angling for a spouse’s visa—and Foo Foo Dust, won from Chetwynd-Pitt at blackjack this very night and stored in a little plastic wrapper inside a bag of menthol Fisherman’s Friends to confuse any canine investigators in the unlikely event … My tooter is a straw made from coarse paper and Sellotape. With superb precision I deposit the last of my coke in a swirl on the mirror and—kids, don’t try this at home, don’t try it anywhere, Drugs Are Bad—toke it up my left nostril in a powerful snort. For five seconds it stings like a nettle being threaded down my throat via my nose, until …

We have liftoff.

The bass is reverberating in my bones and godalmightythat’sgood. I flush the paper straw away, dampen a sheet of loo paper in the cascade, and wipe my mirror clean. Tiny lights I can’t quite see pinprick the hedges of my field of vision. I emerge from the cubicle like the Son of God rolling away the stone, and inspect myself in the mirror—all good, even if my pupils are more Varanus komodoensisthan Homo sapiens. Exiting the bogs, I encounter an Armani-clad stoner known as Dominic Fitzsimmons. He smoked a joint earlier, and his habitual sharp-wittedness has bungee-jumped from the bridge and is yet to return. “Hugo, what’s a shit like you doing in a nice place like this?”

“Powdering my nose, dear Fitz.”

He peers up my nostril. “Looks like a blizzard blew in.” He does a melted grin and I can’t help but think of his mother wearing the same smile and nothing else. “We met girls, Hugo. One for CP, one for Olly, one for moi. Come and say hello.”

“You know how shy I am around women.”

He finds this too funny to laugh at. “Pants—on— fire.”

“Really, Fitz, no one loves a gooseberry. Who are they?”

“This is the best part. Okay. Remember that African pop song “Yй Kй Yй Kй”? Summer of … 1988, I think. Massive hit.”

“Uh … Not well, but yeah. What’s his name—Mory Kantй?”

“We are a-wooing Mory Kantй’s backing singers.”

“ Riiiiiight. And doesn’t Mory Kantй need them tonight?”

“They did a big gig last night in Geneva, but tonight they’re free and they’ve never learned to ski—lack of snow in Algeria, I presume—so they’ve all come to Sainte-Agnиs for two or three days to learn.”

I find this story semi-plausible, more semi than plausible, but before I can voice my skepticism Chetwynd-Pitt rocks up. “It’s the season of lurrrveback at chez CP. There’s a still a slab of Gruyиre in the fridge for you to impregnate, Lamb, so you won’t feel left out.”