The Black Widow

“One wonders why they didn’t wish to die for the cause.” Rousseau gathered up the three photographs and returned them to his deputy. “Any other news?”

“An interesting development regarding the Weinberg woman. It seems her art collection included a lost painting by Vincent van Gogh.”

“Really?”

“And guess who she decided to leave it to.”

By his expression, Rousseau made it clear he was in no mood for games, so Bouchard quickly supplied the name.

“I thought he was dead.”

“Apparently not.”

“Why didn’t he attend the funeral?”

“Who’s to say he didn’t?”

“Have we told him about the painting?”

“The ministry would prefer that it remain in France.”

“So the answer is no?”

Bouchard was silent.

“Someone should remind the ministry that four of the victims of the Weinberg Center bombing were citizens of the State of Israel.”

“Your point?”

“I suspect we’ll be hearing from him soon.”

Bouchard withdrew, leaving Rousseau alone. He dimmed his desk lamp and pressed the play button on his bookshelf stereo system, and in a moment the opening notes of Chopin’s Piano Concerto No. 1 in E Minor crept into the silence. Traffic moved along the rue de Grenelle, and to the east, rising above the Seine embankments, glowed the lights of the Eiffel Tower. Rousseau saw none of it; in his thoughts he was watching a young man moving swiftly across a courtyard with a gun in his outstretched hand. He was a legend, this man, a gifted deceiver and assassin who had been fighting terrorists longer than even Rousseau. It would be an honor to work with him rather than against him. Soon, Rousseau thought with certainty. Soon. .

3 BEIRUT

THOUGH PAUL ROUSSEAU DID NOT know it then, the seeds for just such an operational union had already been sown. For on that very same evening, as Rousseau was walking toward his sad little bachelor’s apartment on the rue Saint-Jacques, a car was speeding along Beirut’s seafront Corniche. The car was black in color, German in manufacture, and imposing in size. The man in back was long and lanky, with pale, bloodless skin and eyes the color of glacial ice. His expression projected a sense of profound boredom, but the fingers of his right hand, which were tapping lightly on the armrest, betrayed the true state of his emotions. He wore a pair of slim-fitting jeans, a dark woolen pullover, and a leather jacket. Beneath the jacket, wedged inside the waistband of the trousers, was a 9mm Belgian-made pistol he had collected from a contact at the airport — there being no shortage of weapons, large or small, in Lebanon. In his breast pocket was a billfold filled with cash, along with a well-traveled Canadian passport that identified him as David Rostov. Like most things about the man, the passport was a lie. His real name was Mikhail Abramov, and he was employed by the secret intelligence service of the State of Israel. The service had a long and deliberately misleading name that had very little to do with the true nature of its work. Men such as Mikhail referred to it as the Office and nothing else.

He looked into the rearview mirror and waited for the eyes of the driver to meet his. The driver’s name was Sami Haddad. He was a Maronite, a former member of the Lebanese Forces Christian militia, and a longtime contract employee of the Office. He had the gentle forgiving eyes of a priest and the swollen hands of a prizefighter. He was old enough to remember when Beirut was the Paris of the Middle East — and old enough to have fought in the long civil war that had torn the country to pieces. There was nothing Sami Haddad didn’t know about Lebanon and its dangerous politics, and nothing he couldn’t lay his hands on in a hurry — weapons, boats, cars, drugs, girls. He had once procured a mountain lion on short notice because the target of an Office recruitment, an alcoholic prince from a Gulf Arab dynasty, admired predatory cats. His loyalty to the Office was beyond question. So were his instincts for trouble.

“Relax,” said Sami Haddad, finding Mikhail’s eyes in the mirror. “We’re not being followed.”