Читаем The Best Horror of the Year. Volume 4 полностью

The lamb let out a single terrified bleat and tried to turn away, but it never stood a chance. The humped shape under the scree hurtled towards it, loose stone rattling like dice in a shaken cup, and then rocks sprayed upwards like so much kicked sand where the lamb stood. Its bleat became a horrible squealing noise — I’d no idea sheep could make sounds like that. The shower of rubble fell back to earth. The lamb kept squealing. I could only see its head and front legs; the rest was buried under the rock. The front legs kicked frantically and the head jerked about, to and fro, the lips splaying back horribly from the teeth as it squealed out its pain. And then a sudden, shocking spray of blood spewed out from under the collapsing shroud of rocks like a scarlet fan. Diane clapped a hand to her mouth with a short, shocked cry. I think I might have croaked ‘Jesus’, or something along those lines, myself.

The lamb’s squeals hit a new, jarring crescendo that hurt the ears, like nails on a blackboard, then choked and cut off. Scree clattered and hissed down the slope and came to rest. The lamb lay still. Its fur was speckled red with blood; its eyes already looked fixed and unblinking, glazing over. The rocks above and around it glistened.

With any luck it was beyond pain. I hoped so, because in the next moment the lamb’s forequarters were yanked violently, jerked further under the rubble, and in the same instant the scree seemed to surge over it. The heaped loose rock jerked and shifted a few times, rippled slightly and was still. Even the stones splashed with blood were gone, rolled under the surface and out of sight. A few glistening patches remained, furthest out from where the lamb had been, but otherwise there was no sign that it’d even existed.

“Fuck.” I definitely said it this time. “Oh fucking hell.”

There was a moment of silence; I could hear Diane drawing breath again to speak. And then there was that now-familiar click and rattle as something moved under the scree. And from where the lamb had been a voice, a low, hollow voice called “Hello?”

Diane put her hand over my mouth. “Stay quiet,” she whispered.

“I know that,” I whispered back, muffled by her hand.

“It hunts by sound,” she whispered. “Must do. Vibration through the rocks.”

There was a slight, low hump where the lamb had been killed; you had to look hard to see it, and know what it was you were trying to spot. A soft clicking sound came from it. Rock on rock.

“It’s under the rocks,” she whispered.

“I can see that.”

“So if we can get back up onto solid ground, we should be okay.”

“Should.”

She gave me an irritated look. “Got any better ideas?”

“Okay. So we head back?”

“Hello?” called the voice again.

“Yes,” whispered Diane. “And very, very slowly, and carefully and quietly.”

I nodded.

The rocks clicked and shifted, softly. Diane raised one foot, moved it upslope, set it slowly, gently down again. Then the other foot. She turned and looked at me, then reached out and took my hand. Or I took hers, as you prefer.

I followed her up the slope. We climbed in as near silence as we could manage, up towards the ravine’s entrance, towards the solidity of the footpath. Rocks slid and clicked underfoot. As if in answer, the bloodied rocks where the lamb had died clicked too, knocking gently against one another as something shifted under them.

“Hello?” I heard again as we climbed. And then again: “Hello?”

“Keep going,” Diane whispered.

The rocks clicked again. With a loud rattle, a stone bounced down to the ravine floor. “John?” This time it was a woman’s voice. Scottish, by the accent. “John?”

“Fucking hell,” I muttered. Louder than I meant to and louder than I should have, because the voice sounded again. “John? John?”

Diane gripped my hand so tight I almost cried out. For a moment I wondered if that was the idea— make me cry out, then let go and run, leave the unwanted partner as food for the thing beneath the rocks while she made her getaway, kill two birds with one stone. But it wasn’t, of course.

“Shona?” This time the voice was a man’s, likewise Scottish-accented. “Shona, where are ye?”

Neither of us answered. A cold wind blew. I clenched my teeth as they tried to start chattering again. I heard the wind whistle and moan. Shrubs flapped and fluttered in the sudden gale and the surrounding terrain became a little clearer, though not much. Then the wind dropped again, and a soft, cold whiteness began to drown the dimly-glimpsed outlines of trees and higher ground again.

Stones clicked. A sheep’s bleat sounded. Then a cow lowed.

Diane tugged my hand. “Come on,” she said, “let’s go.”

The dog barked two, three times as we went, sharp and sudden, startling me a little and making me sway briefly for balance. I looked at Diane, smiled a little, let out a long breath.

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика