The Best American Noir of the Century

Steve (Stephen Gould) Fisher (1912-1980) was born in Marine City, Illinois, and joined the Marines at the age of sixteen, moving to California when he was discharged in 1932. His first short story had been published when he was thirteen, so he soon moved to New York to write for pulps, producing hundreds of stories, mostly mysteries but also stories about war, sex, and romance, graduating to the better-paying “slicks” such as Esquire and the Saturday Evening Post. When Hollywood money looked more enticing, he went to Los Angeles and became an equally prolific writer for motion pictures, with fifty-three screenplays to his credit, including Johnny Angel (1945, with Frank Gruber), Raymond Chandler’s The Lady in the Lake (1946), Song of the Thin Man (1947), and Cornell Woolrich’s I Wouldn’t Be in Your Shoes (1948). Fisher was an even more prolific writer for television, producing more than 200 scripts for such long-running series as McMillan and Wife, Barnaby Jones, Starsky and Hutch, Cannon, and 77 Sunset Strip, among many others.

What had been a moderately successful career changed in 1941 when he wrote I Wake Up Screaming, which was adapted in the same year into what is generally regarded as the first film noir. With the action moving from the novel’s Hollywood setting of palm trees and sunshine to the dark alleys and nightclubs of New York City, it starred Victor Mature, Betty Grable, and Carole Landis. It was remade twelve years later as Vicki, this time set entirely in California, and starred Jeanne Crain, Elliott Reid, Jean Peters, and Richard Boone.

“You’ll Always Remember Me” was first published in the March 1938 issue of Black Mask.

I could tell it was Pushton blowing the bugle and I got out of bed tearing half of the bedclothes with me. I ran to the door and yelled, “Drown it! Drown it! Drown it!” and then I slammed the door and went along the row of beds and pulled the covers off the rest of the guys and said:

“Come on, get up. Get up! Don’t you hear Pushton out there blowing his stinky lungs out?”

I hate bugles anyway, but the way this guy Pushton all but murders reveille kills me. I hadn’t slept very well, thinking of the news I was going to hear this morning, one way or the other, and then to be jarred out of what sleep I could get by Pushton climaxed everything.

I went back to my bed and grabbed my shoes and puttees and slammed them on the floor in front of me, then I began unbuttoning my pajamas. I knew it wouldn’t do any good to ask the guys in this wing. They wouldn’t know anything. When they did see a paper all they read was the funnies. That’s the trouble with Clark’s. I know it’s one of the best military academies in the West and that it costs my old man plenty of dough to keep me here, but they sure have some dopey ideas on how to handle kids. Like dividing the dormitories according to ages. Anybody with any sense knows that it should be according to grades because just take for instance this wing. I swear there isn’t a fourteen-year-old punk in it that I could talk to without wanting to push in his face. And I have to live with the little pukes.