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Constance was very glad to be led away from Ida’s comments, and resolved that her blue velvet should not see the light again at Westhaven; but she did not find this easy to carry out; for, perhaps for the sake of teasing Ida, Herbert used to inquire after it, and insist on her wearing it, and her mother liked to see her, and to show her, in it.  It was only Ida who seemed unable to help saying something disagreeable, till, almost in despair, Constance offered to lend the bone of contention; but Lady Adela was a small woman, and Constance would never be on so large a scale as her sister, so that p. 157the jacket refused to be transferred except at the risk of being spoilt by alteration; and here Mrs. Morton interfered, ‘It would never do to have them say at Northmoor that “Lady Morton’s” gift had been spoilt by their meddling with it.’  Constance was glad, though she suspected that Lady Adela would never have found it out.

Then Ida consulted Sibyl Grover, who was working with a dressmaker, and with whom she kept up a sort of patronisingly familiar acquaintance, as to making something to rival it, and Sibyl was fertile in devices as to doing so cheaply, but when she consulted her superior, she was told that without the same expensive materials it would evidently be only an imitation, and moreover, that the fashion was long gone out of date.  Which enabled Ida to bear the infliction with some degree of philosophy.

This jacket was not, however, Constance’s only trouble.  Her conscience was already uneasy at the impossibility of getting to evensong on Christmas Day.  She had been to an early Celebration without asking any questions, and had got back before Herbert had come down to breakfast, and very glad she was that she had done so, for she found that her mother regarded it as profane ‘to take the Sacrament’ when she was going to have a party in the evening, and when Constance was in the midst of the party she felt that—if it were to be—her mother might be right.

It was a dinner first—at which Constance did not appear—chiefly of older people, who talked of shipping and of coals.  Afterwards, if they noticed the young people, joked them about their imaginary p. 158lovers—beaux, as the older ladies called them; young men, as the younger ones said.  One, the most plain spoken of all, asked Herbert how he felt, at which the boy wriggled and laughed sheepishly, and his mother had a great confabulation with various of the ladies, who were probably condoling with her.

Later, there were cards for the elders, and sundry more young people came in for a dance.  The Rollstones were considered as beneath the dignity of the Mortons, but Herbert had loudly insisted on inviting Rose for the evening and had had his way, but after all she would not come.  Herbert felt himself aggrieved, and said she was as horrid a little prig as Constance, who on her side felt a pang of envy as she thought of Rose going to church and singing hymns and carols to her father and mother, while she, after a struggle under the mistletoe, which made her hot and miserable, had to sit playing waltzes.  One good-natured lady offered to relieve her, but she was too much afraid of the hero of the mistletoe to stir from her post, and the daughter of her kindly friend had no scruple in exclaiming—

‘Oh no, ma, don’t!  You always put us out, you know, and Constance Morton is as true as old Time.’

‘I am sure Constance is only too happy to oblige her friends,’ said Mrs. Morton.  ‘And she is not out yet,’ she added, as a tribute to high life.

If Constance at times felt unkindly neglected, at others she heard surges of giggling, and suppressed shrieking and protests that made her feel the piano an ark of refuge.

p. 159The parting speech from a good-natured old merchant captain was, ‘Why, you demure little pussy cat, you are the prettiest of them all!  What have yon lads been thinking about to let those little fingers be going instead of her feet?  Or is it all Miss Ida’s jealousy, eh?’

All this, in a speaking-trumpet voice, put the poor child into an agony of blushes, which only incited him to pat her on the cheek, and the rest to laugh hilariously, under the influence of negus and cheap champagne.

Constance could have cried for very shame, but when she was waiting on her mother, who, tired as she was, would not go to bed without locking up the spoons and the remains of the wine, Mrs. Morton said kindly, ‘You are tired, my dear, and no wonder.  They were a little noisy to-night.  Those are not goings-on that I always approve, you know, but young folk always like a little pleasure extra at Christmas.  Don’t you go and get too genteel for us, Conny.  Come, come, don’t cry.  Drink this, my love, you’re tired.’

‘Oh, mamma, it is not the being genteel—oh no, but Christmas Day and all!’

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука