Театр абсурда

3 Ibid. P. 23.

4 Tardieu. Theatre II. Poemes a Jouer. Paris, Gallimard, 1960. P. 163.

5 Ibid. P. 240–241.

6 Ibid.

7 Boris Vian. Les Batisseurs d'Empire. Paris, L'Arche, 1959. P. 8.

8 Dino Buzzati. Un Caso Clinico. Milan, Mondadori, 1953. P. 182.

9 Ezio d'Errico. La Foresta. In: II Dramma, Turin, no. 278, November.

1959. P. 9.

10 See Pallottino. The Etruscans. Penguin Books, 1953. P. 246.

11 Manuel de Pedrolo. Cruma. In: Premi Joan Santamaria 1957. Barcelona, Editorial Nereida, 1958. P. 14.

12 De Pedrolo. Homes i No. In: Quadems de Teatre A.D.B. Barselona, No.2, 1960. P. 24.

13 Fernando Arrabal. Theatre. Paris, Julliard, 1958. P. 13, 14.

14 Ibid. P. 152.

15 Max Frisch. Biedermann und die Brandstifter. Berlin and Frankfurt, Suhrkamp, 1958. P. 78.

16 Ibid. P. 20.

17 Wolfgang Hildesheimer. Erlanger Rede iiber das absurde Theater. Akzentle, Munich, No. 6, 1960.

18 Ibid.

19 Gunter Grass. Die Bosen Koche. Stage ms. P. 101.

20 N. F. Simpson. A Resounding Tinkle. In: New English Dramatists 2. Penguin Books, 1960. P. 81.

21 A Resounding Tinkle (short version). In: The Hole and Other Plays and Sketches. London, Faber and Faber, 1964. P. 88.

22 A Resounding Tinkle. In: New English Dramatists 2, P. 99.

23 Ibid. P. 100.

24 Ibid.

25 Ibid. P. 130.

26 Ibid. P. 140.

27 Simpson, quoted by Penelope Gilliatt. Schoolmaster from Battersea. Manchester Guardian, 14 April 1960.

28 Simpson, quoted in Daily Mail, 25 February 1960.

29 A Resounding Tinkle (short version). P. 87, 88.

30 Simpson. The Hole and Other Plays and Sketches. P. 11.

31 Simpson. Interview BBC. General Overseas Service, 6 March 1960.

32 Simpson. One Way Pendulum. London, Faber and Faber, 1960. P. 50.

ГЛАВА СЕДЬМАЯ

1 William Hazlitt. The Indian Jugglers. Table Talk. London and New York, Everyman’s Library. P. 78.

2 Friedrich Nietzsche. Die Geburt der Tragodie. In: Werke, vol. 1, ed. Schlechta. Munich, Hanser, 1955. P. 94.

3 Hermann Reich. Der Mimus. Vol. 1. Berlin, 1903. P. 459.

4 Ibid.

5 Ibid. P. 595, 596.

6 E. Tietze-Conrat. Dwarfs and Jesters in Art. London, Phaidon, 1957. P. 7.

7 Joseph Gregor. Weltgeschichte des Theaters. Vienna, Phaidon, 1933. P. 212.

8 Max Beerbohm. Around Theatres. London, Rupert Hart-Davis, 1953. P. 350.

9 Quoted by Colin Mclnnes. Spectator. London, 23 December 1960.

10 Ionesco. The Chairs. P. 115.

11 Time. N.Y., 12 December 1960.

12 Johann Nestroy. Judith und Holofemes, scene 3. Sammliche Werke, vol. IV, ed. Brukner and Rommel. Vienna, Schroll. P. 167.

13 Georg Buchner. Leonce und Lena. Act II, scene 2.

14 Freud. Der Witz und seine Beziehung zum Unbewussten (1905), paperback edition. Frankfurt, Fisher, 1958. P. 101.

15 Robert Benayoun. Anthologie du Nonsense. Paris, Pauvert, 1957. P. 36.

16 Richard Corbet. Epilogus incerti authoris. In: Comic and Curious Verse, ed. J. M. Cohen. Pehguin Books, 1952. P. 217.

17 Elizabeth Sewell. The Field of Nonsense. London, Chatto and Windus, 1952. P. 128.

18 Christian Morgenstern. Der Lattenzaun. Trans. R.F.C. Hull. In: More Comic and Curious Verse. Ed. J. M. Cohen. Penguin Books, 1956. P. 49.

19 Morgenstern. Das Butterbrotpapier. Trans. A. E. Eitzen. Das Mondschaft. Wiesbaden, Insel, 1953. P. 19.

20 Morgenstern. Das Grosse Lalula. Alle Galgenlieder. Wiesbaden, Insel, 1950. P. 23.

21 Mircea Eliade. Myths, Dreams and Mysteries. London, Harvill Press, 1960. P. 27.

22 Ionesco. Lorsque j’ecrid. Cahiers des Saisons, Paris, no.15, Winter

1959. P. 211.

23 August Strindberg. A Dream Play. In: Six Plays of Strindberg. Trans. Sylvia Sprigge. N.Y., Doubleday Anchor Books, 1955. P. 193.

24 James Joys. Ulysses in Nighttown. Adapted by Marjorie Barkentin under supervision of Padraic Colum; first perf. New York, 5 June 1958 (N.Y., Random House Modem Library Paperbacks, 1958. Also Bloomsday, another dramatization of Ulysses, by Alan MacClelland.

25 Ionesco. Dans les armes de la ville. Cahiers de la Compagnie Madeleine Renaud — Jean-Louis Barrault. Paris, No. 20, October 1957. P. 4.

26 Quoted by Andre Franck. II у a dixans… Cahiers de la Compagnie Madeleine Renaud-Jean-Louis Barrault. No. 20, October 1957. P. 35.

27 Stephane Mallarme. Richard Wagner, reverie d’un poete frangais. In: CEuvres. Paris, Pleiade, 1945. P. 544–545

28 Alfred Jarry. Questions de theatre. In: Ubu Roi. Lausanne, Henri Kaeser, 1948. P. 158.

29 Arthur Symons. Studies in Seven Arts. Quoted in Roger Shattuck. The Banquet Years. London, Faber and Faber, 1959. P. 161.

30 W. B. Yeats. Autobiographies. London, Macmillan, 1955. P. 348, 349.