Take Two (A psychological thriller)

‘Danny’s got the gun on the set,’ said Terry. ‘What are you wearing at the awards thing tonight?’

‘We thought the Vivienne Westwood,’ said Laura, the wardrobe mistress. She went over to a rack and pulled out a long purple and silver dress with long sleeves. She held it up for Terry to look at.

Terry threw up his hands in mock disgust. ‘Why don’t you pull a black bag over her head and have done with it,’ he said. ‘Didn’t Stella send in her new collection yesterday?’

‘Yes, but I was planning on putting Andrea in Stella.’

‘Where are they?’ asked Terry.

Laura pointed to a rack and Terry flounced over and began flicking through the dresses. ‘Ah-ha!” he said, and held up a red dress with small gold stars running through it.

‘Please tell me that’s backless, because I’m not showing that much cleavage,’ said Carolyn.

Terry went over to the dress and pressed it against her. She turned and looked into a long mirror. ‘Oh yes,’ she said. ‘It has that wow factor, doesn’t it?’

‘It is lovely,’ admitted Laura.

‘There you are then,’ said Terry. ‘Carolyn can wear this and you can give the Westwood abomination to Andrea. It’ll cover up her flabby forearms.’

Carolyn laughed out loud. ‘You’re such a bitch,’ she said.

‘That’s as may be, but at least I’m your bitch,’ said Terry.

Carolyn kissed him on the cheek. ‘I love you,’ she said.

‘Oh, be still, my beating heart,’ he said, wafting his hand in front of his face.

Harry popped his head around the door. ‘Miss Castle, Mr Harrington’s ready.’

‘Her master’s voice,’ said Terry.  He folded the dress over his arm. ‘I’ll put this in your room,’ he said. ‘And I’ll pick out some jewellery.’

‘You’re going to make someone a wonderful wife,’ laughed Carolyn. She followed Harry down the corridor and through a set of soundproofed double doors. There was a sign above saying ‘Studio’ and a red light that came on when they were filming.

The studio was the size of a large warehouse with more than a dozen sets built next to each other. It appeared to have been constructed haphazardly so that the door from her bedroom led through to her office and that, in turn, led through to a wine bar.  All the walls were moveable to allow the camera to film from any angle and the flooring was dotted with taped crosses so the actors could hit their marks. Rags To Riches was a show renowned for its glamour and glitz but there was nothing at all glamorous about the sets.

Frank was already sitting behind the camera, his young assistant standing at his shoulder.  The bed had been moved and the camera was placed where the head of the bed had been so it would have Seb’s viewpoint. Harrington was sitting with Lucy, the script supervisor, facing two monitors, one in colour and one black and white.  There was a canvas sheet on an aluminium frame over the top of the screens to cut down on the glare from the overhead lights.

Carolyn had to be careful where she walked as the floor was criss-crossed with thick black cables from the various floor-mounted lights.

Harrington got up from his folding chair and hurried over to her. ‘Everything okay with the lines?’ he asked.

‘I think you’ve cut more than you should, but sure, it’s not brain surgery. I’ll be fine.’ She looked around the set. ‘Where’s Seb?’

‘We don’t need him yet, or Andrea,’ said Harrington. ‘We’ll be in tight close-up all the time and there’s no overlap on the dialogue. I’ll use Harry to give you the eyeline and he can do Seb’s dialogue for you if you like.’

Carolyn nodded. She could do the scene with a monkey, if necessary.  The camera would be on her and only her which, in all honesty, was what every actor wanted.

‘We’ll do the shooting first, then the full close-up, and by then we’ll put Harry in Seb’s robe and do a couple of over the shoulder shots. To be honest, the master shot we got last night was so good we’ll use that most of the time.’

Rick, the boom operator, waddled over. He was a portly Yorkshireman with swept-back grey hair and a thick moustache that had stayed black. He was holding the boom, at the end of which was a Zeppelin-shaped microphone.  When she had first started working as an actress, Carolyn had assumed the boom operator was at the bottom of the food chain, but over the years she had come to realise it was one of the toughest jobs on the crew. It was physically demanding and required a lot of upper body strength. There was also a lot of skill involved, holding the microphone close enough to pick up the sound but never so close as to encroach into the shot. A clumsy boom operator could ruin a shot, but Rick was a true professional, one of the best in the business. ‘Morning,’ he said, and nodded.  That was pretty much the sum total of Rick’s conversation during the day. A gruff ‘Morning’ or ‘Afternoon’ and a “Goodnight’ at the end of the day.