Swords & Dark Magic: The New Sword and Sorcery

JAMES ENGE has been developing his stories of Morlock Ambrosius for years, but had to wait for the pendulum to swing back in favor of sword and sorcery before he made a splash. Appearing only recently in the pages of Black Gate, Flashing Swords, and everyday fiction.com, his tales of a wandering wizard and swordsman built up a loyal following in a very short time, before leaping into novel form with the books Blood of Ambrose, This Crooked Way, and The Wolf Age. Strange Horizon writes of him: “There’s a kind of literately sensuous pleasure in Enge’s writing…the pleasure of an intelligent, skillful writer amusing himself and us.” Little surprise then that Enge is an instructor of classical languages at a Midwestern university. Speaking to Fantasy Book Critic, he said, “The modern realistic novel, increasingly in the twentieth century, concerned itself with character above all else: what the character felt and perceived. I’m not knocking this: realistic fiction has some triumphant achievements in this line…But I think it’s an approach that is susceptible to diminishing returns. Genre fiction, like medieval and classical traditions of storytelling, tends to concentrate much more on what people do and the context in which they do it. I love this concentration on conduct, on action (but not necessarily in the car-chases-and-gunfights sense) and on the world…I find it in the older narrative traditions; I find it in genre fiction; and I think it’s the reason that twenty-first-century literary fiction is looking to refresh itself at the wells of genre.”

To drink until you vomit and then drink again is dull work. It requires no talent and won’t gain you fame or fortune. It’s usually followed by a deep dark stretch of unconsciousness, though, so it had become Morlock Ambrosius’ favorite pastime.

In a brief lapse from chronic drunkenness he had invented a device which intensified the potency of wine many times. Because he had no use for gold (he could make it by the cartful if he needed it), he gave the device to Leen, the owner of the Broken Fist tavern. Leen proceeded to make gold by the cartful, through the more mundane method of selling distilled liquor. By his order, Morlock’s cup was never to be left empty when he entered the Broken Fist. Morlock entered the Broken Fist on a daily basis thereafter and stayed until the disgusted potboys tossed him, snoring, into the street. In another time and place, Morlock might have been called an alcoholic. In the masterless lands east of the Narrow Sea, he was simply a man drinking himself to death—and not quickly enough for those few who had to deal with him.

One evening, as Morlock was just settling down to work, a man came up to him and asked, “Is it true that you’re Morlock the Maker?”

If Morlock had been a little more sober, he would have just denied it. If he’d been a little drunker, he would have embarked on an elaborate series of lies to make the questioner suspect that he himself might be Morlock the Maker. And if Morlock had been very much drunker, he wouldn’t have been able to answer at all. But, as it happens, he was at that precise state when he was able to know the truth and not care. Apart from actual oblivion, it was the state of mind he enjoyed the most.