Swords & Dark Magic: The New Sword and Sorcery

Modestly, Zire and Bretilf reentered the city. Yet on the streets people swarmed to gape and cheer. At the False Prince’s villa, they were admitted after a wait of only an hour.

The prince lay on a couch like one almost dead. He gazed up with weary dislike. “Who are these ruffians?”

“Highness,” said the affronted servant, “can’t you hear the joyful uproar outside? These—ruffians—have won back the Robe—the Robe of the Winning of War With Oneself.”

“Garbage,” said the prince and turned over on his face.

Another hour on, when he had been, rather roughly, convinced by his attendants, Zire and Bretilf had the dubious pleasure of beholding the transformation. With some revulsion, they saw how the War-Robe, when the prince had put it on, altered from a sartorial nonevent to a glowing sumptuousness of colors and gems. The prince was also changed. In a matter of seconds, he grew young and strong, handsome and profound, pristine, pure, and kingly. And then, with pleasing open-handedness, from the coffers of the city, stunning riches were obtained and loaded on to mules, all for Bretilf and Zire.

They were by then incorrigibly drunk. They had sampled much of the royal cellars, and also rambled about the city, where everyone was eager to stand them a drink. Sometimes they drew into corners and spoke in low tones of the anomaly of such a man as the prince, so sticky with cruelty and crime, now entirely changed into a genuine paragon, worthy only of loyalty and praise. But they heard, too, a rumor of a kitchen girl, named Loë, who had that very day ridden off in a carriage that sparkled like a diamond, and with her many animals, owls, and crows from neglected temples, rabbits kept for the pot, cats and dogs who had earned their keep in various inns. Loë, or Weasel as she was sometimes called, or Ermine, was now said to be one of the Benign Guardians of Cashloria, who had lingered on the premises in disguise during the city’s troubles. The Robe’s return had freed her, it seemed, to go back to her own mysterious life on a distant star.

“I could sleep a million years,” said Zire. “Alas, it’s farewell now between us.”

“Perhaps neither, yet,” said Bretilf. “I’ve heard another rumor—that those villainous guards the prince is about to expel have vengefully scored our names on their swords. Will we fare better alone or in tandem?”

“Where are the horses and mules?” asked Zire, with respectable common sense.

“Below,” said Bretilf, ditto.

As they jumped from the window to the backs of bay and gray, they picked up the nearby threatening roar composed of rejoicing, rage, and river. But soon the happy pounce of hooves, blissful jingle of coins and jewels, rumble of determined mules and carts, muffled all else. Heed this, then. The more noisily and threateningly the torrent bellows below and around, the louder make your song.

THE SEA TROLL’S DAUGHTER Caitlín R. Kiernan

CAITLÍN R. KIERNAN was born in Skerries, Dublin, Ireland, but grew up in Leeds, Alabama. As a teenager, she worked as a volunteer in Birmingham, Alabama’s, Red Mountain Museum, and later studied geology and vertebrate paleontology at the University of Alabama at Birmingham and the University of Colorado at Boulder. She has coauthored several scientific publications, beginning in 1988, the latest published in the Journal of Vertebrate Paleontology in 2002. Her first novel, Silk, was published in 1998, and she has written eight novels to date, the most recent being The Red Tree. A multiple International Horror Guild Award-winning author, she has also been nominated for the World Fantasy Award, the British Fantasy Award, the Bram Stoker Award, and the Gay & Lesbian Alliance Against Defamation Award. Kiernan has also written for DC Comics. She lives with her partner in Providence, Rhode Island.