As these examples may begin to suggest, dachas have enjoyed a widening social constituency
over the last two centuries; not since the eighteenth century have they been restricted to the elite. A crucial step toward diversification was taken in the first
third of the nineteenth century, when the section of the Petersburg population that
was not proletarian yet worked for a living increased noticeably. Members of the nobility
(
Although they retained their formal membership in the
These noble but not necessarily wealthy Petersburgers proovided one element in a new,
nonaristocratic, dacha-frequenting public that emerged in the early nineteenth century.
They were joined by nonnoble contingents in the bureaucracy and other occupations,
particularly by the
The out-of-town public was recognized by contemporaries as a remarkable new phenomenon in the late 1830s and (especially) the 1840s. To many observers the dacha habit served notice of the changing character of urban life. Now Petersburg contained tens of thousands of people engaged in nonmanual occupations who lived in apartments rather than detached houses, called the city their home, and had no ancestral estate or other property to which to repair during the summer months. For tenants of this category, rented dachas had several advantages: they offered a safe haven from terrifying epidemics, they served as a recreational amenity, and they saved money, being cheaper to rent and maintain than apartments in the city center.
The dachniki were a striking new group in Petersburg society not just for the fact of their summer migrations. Equally noteworthy was their intermediate cultural and social status: they occupied a middle ground between aristocratic sociability and popular culture. The bulk of the dachniki were not part of a beau monde constructed around dynastic association, patronage, and intensive ritual socializing, but they also kept their distance from the fairground, the tavern, and other sites of mass urban entertainment. Dachas formed part of an emerging leisure culture that had less to do with public spectacle, display, and revelry than with individual enjoyment and sociability in a relatively small circle of family, friends, and colleagues.