The sun was setting when Elsie made it back to Brookley; she’d paid a hansom cab to take her as far as Lambeth and had walked the rest of the way. She shredded the letter from the Cowls in her pocket. The oven would be hot about this time, and she could cast the bits into the coals without any trouble.
Sometimes she wished she had a confidant, but she counted herself lucky all the same. The Cowls had rescued her from the workhouse and lifted her from a destiny of poverty. The least she could do was protect their secrecy.
Brookley was just south and a little east of London, wedged almost equidistant between Croydon and Orpington. It was an old town well kept by those who lived there. The main road spiraled through the center like a river of cobblestone, a thoroughfare that led south to Clunwood and farmland before continuing on to Edenbridge. It was small and quaint, yet had everything a reasonable person could need—a bank, a post office, a dressmaker, a church. Granted, if one wanted a millinery, they’d have to head into either London or Kent, but seeing as Elsie was set on hatwear, that didn’t bother her particularly much.
One of the best things about Brookley was that the stonemasonry shop sat on its northern side, down a small road curving off the main one, so it was a fairly private affair to walk to and from the direction of London.
Elsie kicked dirt from her shoes before letting herself in through the back door of the house attached to the studio. There were a few shirts hanging on a clothing line overhead. The smell of mutton wafted through the air. In the kitchen, Emmeline, the maid, stirred a pot on the stove. Elsie had been in that position for several years after escaping the squire’s household, until Ogden had promoted her to his assistant and brought in a new employee.
After hanging up her hat and setting her chatelaine bag on a table, Elsie waved to Emmeline before venturing down the hallway, around the corner, and into the studio, which was by far the largest room in the house. The counter by the door served as a storefront, and the rest of the space was filled with tarps, uncarved and half-carved stone, easels, canvases, blankets, and an array of shelves holding a collection of tools and utensils in every shape a person could imagine, as well as a great deal of white paint; a man who could change the color of anything with a simple touch needn’t spend money on pigments. Cuthbert Ogden hunched on a stool just shy of the center of the room, surrounded by two lamps and three candles, delicately placing snow on the tiles of a manor he’d painted on a canvas half as tall as he was. There was something comforting about seeing him working like that, something familiar, something safe. Elsie needed those kinds of
“You’ll need glasses if you keep squinting by candlelight.” She picked up a nearly extinguished candle and set it closer to his work.
“I am young and hale yet.” His low voice seemed to creep along the floorboards.
“Hale, yes,” Elsie said, and her employer glanced over to her, his turquoise eyes sparkling in the light. His dark brows crooked in a mock disapproving manner.
“Fifty-four is not old,” he quipped.
“Fifty-five is.”
Ogden paused, nearly touching his paintbrush to his lips in thought. “I’m not fifty-five, am I?”
“You turned fifty-five in February.”
“I turned fifty-four.”
Elsie sighed and tried to hide the smile on her lips. “Mr. Ogden. You were born in 1840, the same day the queen married Prince Albert. You brag about it to everyone.”
Ogden’s lip quirked. “I’m sure they married in 1841.”
“Now you’re just being difficult.” She stepped up behind him, avoiding a lamp, and surveyed the painting. Ogden had managed to make a gray winter sky look cheery. A heavy wreath with red ribbon on the front door denoted Christmas. Snow at the top of the house, the chimney, the bottom two corners. Ogden had a strange thing about adding details at the edges of the canvas first before moving in toward the center.
“Does it snow often in Manchester?”
Ogden shook his head. “No, but it was the client’s request.”
“Christmas is seven months away yet. Seven and a half.”
“But I will need to put this away and look at it again in a few weeks.” Ogden’s eyes stayed on the painting, squinting and scrutinizing. “And then have you take it to the framer’s. That will take up another month, and then if they request corrections . . . you know how it goes. How was your evening?”
Elsie shrugged. “Uneventful. A long walk and some window browsing.”