Specimen Days

She slept, mostly. He sat in the single chair at her bedside, watching her. He tried to imagine her life her long life, as it turned out before she came here. She would never, he thought, have been a particularly easy person. She must always have been defiant and stern, even by Nadian standards. She must always have harbored a privacy so deep it was almost audible, like the silence of a well. He suspected that her husband had been the friendlier one, the one with ease and amplitude. Simon thought he could picture them at home, in their hut of sticks and mud. The husband would have been forever welcoming others in, offering pipes and fermented drinks, warming the rooms by lighting fires with wood they could not easily spare.

He would have exasperated Catareen. His profligacy would have inspired countless arguments, some of them bantering, some of them bitter.

And yet, she must have loved him.

Simon knew this, somehow. He could feel the information swarming inside his head, one cell splitting into two, two into four, four into eight.

Here was Catareen's long union. Here were her children, five of them, three girls and two boys, endlessly undecided about which of their parents was more to blame for the errors and injustices in the family. Here were their days of labor. Here were their nights together, on a mattress stuffed with leaves and hay. Here was an afternoon of no particular consequence, when Catareen stood in the doorway of her hut, looking at her village, at the sharp peaks beyond, at the pewter-colored sky that would soon release its rain; here were the sounds of her children at some game, mixed with the steady rhythm of her husband's hoe in the garden out back; here was her sense of herself in the middle of a life that was hers and no one else's. Here was the bittersweet savor of it, the piercing somethingness of it the pure sensation of being Catareen Callatura, at that moment, on an afternoon of no consequence, just before a rain.

And here, many years later, was her decision to withhold crops from the king's collectors and to encourage others to do the same. Here were the doubts of her garrulous husband, a simpler soul than she. Here was his trust in her. Here were the children's arguments, with her and among themselves. (Some would have decided by then that she was the good parent, others that she was the bad.) Here were the arrests. Here were the executions. All of them. Not only the sweet, baffled husband but the grown children, the ones who loved her and the ones who resented her, and their children, too. All of them.

The room darkened with evening. Catareen woke several times, looked around uncertainly. She must have been surprised to find herself here, dying in an unfamiliar room on a strange planet. She must, in her sleep, have forgotten. Each time she woke, Simon leaned over her and said, "It's all right," which was not, of course, strictly true. It was something to say.

He didn't think she'd want him to touch her. Each time she looked at him with fading yellow eyes. Each time she drifted away again without speaking.

Presently, Luke came into the room. "Hey," he said. "It's almost time to get aboard."

Simon knew by then what he would do. He seemed to have entered a decision without quite making it. The process had occurred somewhere deep in his circuitry.

He said, "I'm not going."

"What?"

"I can't leave her here."

Luke hesitated. Then he said, "There's nothing we can do for her, you know."

"I can be here. I can do that."

"Do you know what that means? We can't turn around and come back for you."

"I know that."

"I want you to come," Luke said. There was a hint of whine in his tone.

He was in fact a twelve-year-old boy. It was easy to forget that.

Simon said, "You'll be fine without me."

"I know. I know I will. I still want you to come."

"What's that you've got there?" Simon asked. Luke was holding something in a white plastic bag.

"Oh. Just this."

He reached into the bag and produced the little china bowl they'd bought from the old woman in Denver.

"You're taking that to another planet?"

"It was my mother's."

"What?"

"I don't know how Gaya ended up with it. We left Denver kind of quickly, one of Mom's credit-card things blew up, and I guess Gaya got to our apartment before the authorities did. I remember this bowl from when I was a baby. Mom must have boosted it. She'd never have bought something like this."

Luke stood holding the bowl in both hands. It appeared to put out a faint glow in the darkening room.

"Is there some kind of writing on it?" Simon asked.

"Doesn't mean shit." "Come on."

"It's a language from some loser country. One of those places with horrible weather and a long line of demented rulers. One of those places that seem to have existed only so their citizens could devote their lives to trying to get the hell out."

"Do you know what it says?"

"Nope. No idea."

"But you want to take it with you."

"I paid for it."

"With my money."