«If you were drowning, I’d come to the rescue...» (Love Song) IV, 366
Infinitive («Dear savages, though I’ve never mastered your tongue, free of pronouns and gerunds...») IV, 355
«In march the soldiers...» (Kolo) IV, 364
«In the autumnal blue...» (Elegy: for Robert Lowell) IV, 319
«In walks the Emperor, dressed as Mars...» (A Tale) IV, 357
«It’s not that the Muse feels like clamming up...» (Folk Tune) IV, 373
«I wish you were here, dear...» (A Song) IV, 342
Kolo («In march the soldiers...») IV, 364
Letter to an Archaeologist («Citizen, enemy, mama’s boy, sucker, utter...») IV, 332
Love Song («If you were drowning, I’d come to the rescue...») IV, 366
Ode to Concrete («You’ll outlast me, good old concrete...») IV, 367
«One more Christmas ends...» (A Martial Law Carol) IV, 322
«Playing chess on the oil tablecloth at Sparky’s...» (Exeter Revisited) IV, 341
Post aetatem nostram («“Империя — страна для дураков”...») II, 397
Postscriptum («Как жаль, что тем, чем стало для меня...») II, 209
«Praised be the climate...» (Anthem) IV, 361
Presepio («Младенец, Мария, Иосиф, цари...») IV, 107
Reveille («Birds acquaint themselves with leaves...») IV, 370
Ritratto di donna («Не первой свежести — как и цветы в ее...») IV, 161
Science Fiction («Тыльная сторона светила не горячей...») II, 357
Seaward («Darling, you think it’s love, it’s just a midnight journey...») IV, 333
«Since mistakes are inevitable, I can easily be taken...» (At a Lecture) IV, 352
«Slave, Come to My Service!» («“Slave, Come to My Service!” “Yes, my master. Yes”...») IV, 336
«“Slave, Come to My Service!” “Yes, my master Yes”...» («Slave, Come to My Service!») IV, 336
«Something like a field in Hungary, but without...» (Ex Voto) — IV, 330
Song of Welcome («Here’s your mom, here’s your dad...») IV, 348
The Berlin Wall Tune («This is the house destroyed by Jack...») IV, 326
«The country is so populous that polygamists and serial...» (A Postcard) IV, 353
«The last twenty years were good for practically everybody...» (Transatlantic) IV, 343
«The perishable devours the perishable in broad daylight...» (At the City Dump in Nantucket) IV, 368
«The perilous yellow sun follows with its slant eyes...» (Tsushima Screen) IV, 372
«There is a meadow in Sweden...» (Törnfallet) IV, 350
«This is the house destroyed by Jack...» (The Berlin Wall Tune) IV, 326
To My Daughter («Give me another life, and I’ll be singing...») IV, 354
«To say that he was unhappy is either to say too much...» (Epitaph for a Centaur) IV, 340
«To this corner of Grant and Vallejo...» (Café Trieste: San Francisco) IV, 324
Törnfallet («There is a meadow in Sweden...») IV, 350
Transatlantic («The last twenty years were good for practically everybody...») IV, 343
Tsushima Screen («The perilous yellow sun follows with its slant eyes...») IV, 372
«Ultimately, there should be a language...» (Ab Ovo) IV, 369
Variation in V («Birds flying high above the retreating army...») IV, 334
«“Werden und Sein”, старинная дилемма...» (Фауст (Фрагменты поэмы «Горацио»)) (Из Х. Плуцика) IV, 273
«What is this place? It looks kind of raw...» (Arrival) IV, 345
«Whether you fished me bravely out of the Pacific...» (Elegy) IV, 363
«Why don’t we board a train and go off to Persia...» (Departure) IV, 344
«You’ll outlast me, good old concrete...» (Ode to Concrete) IV, 367
1867 («В ночном саду под гроздью зреющего манго...») III, 94
1972 год («Птица уже не влетает в форточку...») III, 16
1983 («Первый день нечетного года. Колокола...») III, 262
1 сентября 1939 года («День назывался “первым сентября”...») II, 208
1 января 1965 года («Волхвы забудут адрес твой...») II, 118
24.5.65 КПЗ («Ночь. Камера. Волчок...») II, 127
24 декабря 1971 года («В Рождество все немного волхвы...») III, 7
25.XII.1993 («Что нужно для чуда? Кожух овчара...») IV, 151
MCMXCIV («Глупое время: и нечего, и не у кого украсть...») IV, 193