There is an important principle in sensory physiology known by some as the
psychophysical law. First suggested in the 1830's by Ernst Weber, it was
perfected and verified in 1860 by philosopher-biologist, Gustav Fechner.
(Today, some people call it the Weber-Fechner law.) Experimenting, Fechner
found that a
Law or no law, Carl insisted, sensory physiology had not settled a fundamental question: given the inherant capabilities of a brain, are the refining constraints imposed out at the sense organs or up in the brain. He'd thought the critical test was impossible until he ran across the eye transplant experiments made famous by Roger Sperry.[4] Adding and subtracting eyes was the approach, Carl thought.
After much procrastination on my part, we launched the study during the
following spring. I'd conducted extensive pilot series, and had concluded
that the best approach was to mount the extra eye on top of the animal's head
just above the pineal body, the vestigial third eye. I'd cut a window in the
top of the skill and then aim the stump of the optic nerve directly at the roof
of the diencephalon. I called these animals, collectively, Triclops.
Our main controls were animals with an eye transplanted atop the head, like Triclops, but with both natural eyes removed. I tried calling them "monoclops"; then "uniclops"; but (to keep from swallowing my tongue during oral discourse) eventually went with "Cyclops." Cyclops would inform us not only whether but also when: whether the experiment was worth carrying to a conclusion, and, if so, when training could and should begin.
The one-to-one principle applies to increments of
Carl, meanwhile, had developed and perfected the training apparatus and the
evaluation routines, which he called the "light-shock avoidance test." In principle like
the ding of the bell in Pavlov's experiments, a spot light provided the conditioned stimulus
(CS is the standard abbreviation). The shock, the unconditioned
stimulus (US) was what the animal had to learn to avoid: 10 volts of direct
current at 10 Hz for 10 milliseconds. The rig itself was a marvel of
simplicity and ingenuity: two low cylindrical dishes, one larger than the
other by a little more than the width of an
In training, a salamander had 10 seconds to escape from the light before receiving a shock. Carl performed 25 trials one an animal, per session, 2 sessions a day, for 4 days. He randomly varied the intervals between trials from 10 to 25 seconds, to make sure the animals did not cue on the tempo instead of the light .