I wondered, as we left, what had become of R.V. Did he bleed to death in the forest? Did he make it to a doctor in time? Or was he still running and screaming, "My hands! My hands!"?
I didn't care. Although he'd been trying to do the right thing, this was R.V.'s fault. If he hadn't gone messing with the locks on the wolf-man's cage, Sam would be alive. I didn't hope R.V. was dead, but I didn't say a prayer for him, either. I'd leave him to fate and whatever it had in store.
Evra sat beside me at the rear of the van as the Cirque pulled out. He started to say something. Stopped. Cleared his throat. Then he put a bag on my lap. "I found that," he muttered. "Thought you might want it."
Through stinging eyes I read the name — "Sam Grest" — then burst into tears and cried bitterly over it. Evra put his arms around me and held me tight and cried along with me.
"Mr. Crepsley told me what happened," Evra mumbled eventually, recovering slightly and wiping his face clean. "He said you drank Sam's blood to keep his spirit alive."
"Apparently," I replied weakly, unconvinced.
"Look," Evra said, "I know how much you didn't want to drink human blood, but you did this for Sam. It was an act of goodness, not evil. You shouldn't feel bad for drinking from him."
"I guess," I said, then moaned at the memory and cried some more.
The day went by and the Cirque Du Freak rolled on, but thoughts of Sam couldn't be left behind. As night came, we pulled over to the side of the road for a short break. Evra went to look for food and drinks.
"Do you want anything?" he asked.
"No," I said, my face pressed against the window-pane. "I'm not hungry."
He started to leave.
I called him back. "Wait a sec."
There was a strange taste in my mouth. Sam's blood was still hot on my lips, salty and terrible, but that wasn't what had started the buds at the back of my tongue tingling. There was something I wanted that I'd never wanted before. For a few confusing seconds I didn't know what it was. Then I identified the strange craving and managed to crack the thinnest of smiles. I searched Sam's bag, but the jar must have been left behind when we left.
Looking up at Evra, I wiped tears from my eyes, licked my lips, and asked in a voice that sounded a lot like that smart-ass kid I once knew, "Do we have any pickled onions?"
TO BE CONTINUED …
TO SAVE A LIFE, DARREN SHAN MUST RISK HIS OWN BY FACING A CREATURE OF EVIL IN THE
TUNNELS OF BLOOD
Dare to read on …
PROLOGUE
The smell of blood is sickening. Hundreds of carcasses hang from silver hooks, stiff, shiny with frosty blood. I know they're just animals — cows, pigs, sheep — but I keep thinking they're human.
I take a careful step forward. Powerful overhead lights mean it's bright as day. I have to tread carefully. I tide behind the dead animals. Move slowly. The floor's slippery with water and blood, which makes progress even trickier.
Ahead, I spot him … the vampire … Mr. Crepsley. He's moving as quietly as I am, eyes focused on the far man a little way ahead.
The fat man. He's why I'm here in this ice-cold slaughterhouse. He's the human Mr. Crepsley intends to kill. He's the man I have to save.
The fat man pauses and checks one of the hanging slabs of meat. His cheeks are chubby and red. He's wearing clear plastic gloves. He pats the dead animal — the squeaky noise of the hook as the carcass swings puts my teeth on edge — then begins whistling. He starts to walk again. Mr. Crepsley follows. So do I.
Evra is somewhere far behind. I left him outside. No point in both of us risking our lives.
I pick up speed, moving slowly closer. Neither knows I'm here. If everything works out as planned, they won't know, not until Mr. Crepsley makes his move. Not until I'm forced to act.
The fat man stops again. Bends to examine something. I take a quick step back, afraid he'll spot me, but then I see Mr. Crepsley closing in. Damn! No time to hide. If this is the moment he's chosen to attack, I have to get nearer.
I spring forward several feet, risking being heard. Luckily Mr. Crepsley is entirely focused on the fat man.
I'm only three or four feet behind the vampire now. I bring up the long butcher's knife that I've been holding down by my side. My eyes are glued to Mr. Crepsley. I won't act until he does — I'll give him every chance to prove my terrible suspicions wrong — but the second I see him tensing to spring …
I take a firmer grip on the knife. I've been practicing my swipe all day. I know the exact point I want to hit. One quick cut across Mr. Crepsley's throat and that'll be that. No more vampire. One more carcass to add to the pile.
Long seconds slip by. I don't dare look to see what the fat man is studying. Is he ever going to rise?