Sure, I’d smoked dope in my day. Still did if the company was right, but it wasn’t any more a major part of my life than the comics I abandoned when I moved out. I left both forms of escape behind. Or so I thought. Trying to encourage attendance at plays, the literate drama so few care about these days, I feel like I’m re-labeling theater the way my neighborhood pot lady did her wares.
No. I have to love the world I hate…for my father’s sake. When he introduced me to my first comic shop in Norman, it was as if he were preparing me for baptism or the priesthood. “This reminds me of when I bought that original Submariner story,” he said, “‘
I still hadn’t seen any sign of life in the shop. My feet had stopped burning from the cold, my hands had stopped tingling, but my spider sense was going off like a goddamn carillon as I finally felt warm enough to start seriously rifling through the store’s wares. I still had two tequila tinies. One more might make things make sense. So, yeah, then there was one.
The first title I came across was a 1972 DC Treasury Edition of
Most comics in a store are bagged, but often the larger sizes are left to the careful discretion of the customer. I gently opened the pages and saw the blocky, funny-animal style I remembered. The grid lines of the sequential art. The word balloons. My mother’s hand in dot-matrix color and basic black outline reaching under the Christmas tree to retrieve a small box labeled “wife.” The next panel zoomed out to show the tree itself, a sad, silver little thing made of tin. The kind of tree that would’ve made Linus cry. Another panel clearly illuminated the halfmelted fairy perched atop, its wand drooping, the bulb inside flickering. Two more panels down, next to an ad for art classes, the adults exchanged gifts while my sisters and I waited with feigned patience, enraptured by the moving fan-light which bathed the silver tree in amber and emerald, blue and scarlet as the color wheel turned.
For minutes I simply turned pages and read the story of that Christmas as a normal continuation of memories I’d been channeling since I walked in. The small box opening. My mother’s reaction. “But Julian, I didn’t think we were…not this year.” The words, sad as our tree, fragile as that melted fairy, appeared in a word balloon above her head. But the moment I read my father’s response in his parallel balloon—“Just three little words, that’s all I want”—I snapped out of my fugue and realized something was happening. Something surreal. Frightening even.
This wasn’t Rudolph. This wasn’t a comic book story. It was
I flipped pages, skipped to the end, rolodexed back to the beginning. Not one image of the rhinophymic reindeer. Not one caricature of the obese, capitalist God who kept his sentient pets in bondage. Just my family, that whole Christmas. The words my folks spoke. The presents we received. The complete confusion on my father’s face as my mother shut the box with her new wedding ring guard, set it aside, and focused on me and my sisters. The slump in his spine, in his whole soul, as he shrank into the bedroom and let us finish our consumer orgy. In a sequence of final panels, after a crossword puzzle full of terms related specifically to our family (mule skinner, Oklahoma, adultery, art school, drama teacher, disappointment), the comic zeroed in on my father’s hands pressed against his face as he sat on the bed. Slightly different, scalloped balloons showed his inner thoughts.
“I should have explained. Really. But what