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Shoustova, blushing, and looking round uneasily.

"Don't speak about it, Lydia dear," said her mother.

"Why not? I should like to relate it," said Shoustova, no longer smiling nor pulling her lock, but twisting it round her finger and getting redder.

"Don't forget what happened yesterday when you began talking about it."

"Not at all—-Leave me alone, mamma. I did not tell, I only kept quiet. When he examined me about Mitin and about aunt, I said nothing, and told him I would not answer."

"Then this—Petrov—"

"Petrov is a spy, a gendarme, and a blackguard," put in the aunt, to explain her niece's words to Nekhludoff.

"Then he began persuading," continued Shoustova, excitedly and hurriedly. "'Anything you tell me,' he said, 'can harm no one; on the contrary, if you tell me, we may be able to set free innocent people whom we may be uselessly tormenting.' Well, I still said I would not tell. Then he said, 'All right, don't tell, but do not deny what I am going to say.' And he named Mitin."

"Don't talk about it," said the aunt.

"Oh, aunt, don't interrupt," and she went on pulling the lock of hair and looking round. "And then, only fancy, the next day I hear—they let me know by knocking at the wall—that Mitin is arrested. Well, I think I have betrayed him, and this tormented me so—it tormented me so that I nearly went mad."

"And it turned out that it was not at all because of you he was taken up?"

"Yes, but I didn't know. I think, 'There, now, I have betrayed him.' I walk and walk up and down from wall to wall, and cannot help thinking. I think, 'I have betrayed him.' I lie down and cover myself up, and hear something whispering, 'Betrayed! betrayed Mitin! Mitin betrayed!' I know it is an hallucination, but cannot help listening. I wish to fall asleep, I cannot. I wish not to think, and cannot cease. That is terrible!" and as Shoustova spoke she got more and more excited, and twisted and untwisted the lock of hair round her finger.

"Lydia, dear, be calm," the mother said, touching her shoulder.

But Shoustova could not stop herself.

"It is all the more terrible—" she began again, but did not finish, and jumping up with a cry rushed out of the room.

Her mother turned to follow her.

"They ought to be hanged, the rascals!" said the schoolboy who was sitting on the window-sill.

"What's that?" said the mother.

"I only said—Oh, it's nothing," the schoolboy answered, and taking a cigarette that lay on the table, he began to smoke.

CHAPTER XXVI.

LYDIA'S AUNT.

"Yes, that solitary confinement is terrible for the young," said the aunt, shaking her head and also lighting a cigarette.

"I should say for every one," Nekhludoff replied.

"No, not for all," answered the aunt. "For the real revolutionists, I have been told, it is rest and quiet. A man who is wanted by the police lives in continual anxiety, material want, and fear for himself and others, and for his cause, and at last, when he is taken up and it is all over, and all responsibility is off his shoulders, he can sit and rest. I have been told they actually feel joyful when taken up. But the young and innocent (they always first arrest the innocent, like Lydia), for them the first shock is terrible. It is not that they deprive you of freedom; and the bad food and bad air—all that is nothing. Three times as many privations would be easily borne if it were not for the moral shock when one is first taken."

"Have you experienced it?"

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Иммануил Кант – самый влиятельный философ Европы, создатель грандиозной метафизической системы, основоположник немецкой классической философии.Книга содержит три фундаментальные работы Канта, затрагивающие философскую, эстетическую и нравственную проблематику.В «Критике способности суждения» Кант разрабатывает вопросы, посвященные сущности искусства, исследует темы прекрасного и возвышенного, изучает феномен творческой деятельности.«Критика чистого разума» является основополагающей работой Канта, ставшей поворотным событием в истории философской мысли.Труд «Основы метафизики нравственности» включает исследование, посвященное основным вопросам этики.Знакомство с наследием Канта является общеобязательным для людей, осваивающих гуманитарные, обществоведческие и технические специальности.

Иммануил Кант

Философия / Проза / Классическая проза ХIX века / Русская классическая проза / Прочая справочная литература / Образование и наука / Словари и Энциклопедии