But a trifle of research on the part of the hall-boy eased his mind. The dancer had a flat of her own, with an entrance both private and discreet. So there would be no difficulty, and thankfully, no expense. The most he would need to provide would be a pretty trinket now and again, and the safe deposit box contained many tokens belonging to his mother than he imagined would be suitable.
With all these things settled in his mind, he decided the moment had come for the summons. He wrote it on a small card that he directed the hall-boy to convey to the dancer at the theater one afternoon. Then he took himself to the establishment he had chosen for the first assignation, a restaurant considered both smart and discreet; suitable for a man of wealth and taste to meet his mistress—or one who he was about to make his mistress.
He timed his arrival to a nicety. It would not do for her to appear at a table littered with the evidence of a long wait. He calculated how long it would take the boy to reach the theater, how long before he could deliver the note, and then, because she would, of course, fly out with the greatest speed to answer his invitation, how long it would take her to reach the establishment. He arrived there about five minutes before he reckoned she would.
But of course he made sure to ask the headwaiter if she had possibly preceded him. Having determined to his satisfaction that she had not, he had himself seated in the intimate and secluded corner he had reserved, ordered a brandy, and sat back to wait.
After some fifteen minutes, he was concerned. At half an hour, he was irritated. As the hands of his watch told him an hour had elapsed, he began to grow angry.
By the time he left the place, nothing in his stomach but overpriced brandy, he was in a towering rage.
Exactly as Nina had desired.
“What is that?” Ninette asked Ailse, who had answered the tap at the door of the dressing room and come away with a single card in an envelope with nothing written on it. “I hope it is not another invitation to teach some poor child how to totter about on her toes. Monsieur Ciccolini already has as many pupils as he cares to take.”
For some reason, the wealthy of Blackpool seemed to think that she had so much time on her hands that she would be overjoyed to teach their children to dance. Not with an eye to going on the stage, of course! No, the doting mothers in question had more of a vague notion of a dainty little tot in a fairy dress, flitting about on the lawn to the strains of Mendelssohn for the entertainment and admiration of garden-party guests. The normal sort of display that one trotted out on these occasions was a daughter singing or playing, or more rarely, the dramatic rendition of “The Lady of Shallot.” A dancing daughter, provided she was not yet nubile, would be a novelty. And it seemed that every good entertaining mama in Blackpool had conceived of this same novelty all at once. Ninette must come and teach the ball dance, or the ribbon dance, the hoop dance or the skirt dance.
Fortunately, Ninette had a stock answer for this. Ailse had written it up on cards, so it was ready-made and at hand, and needed only to have name and address added.
Ciccolini now filled as many hours as he cared to, teaching these poor things the discipline of the ballet. Of course, it would do them a world of good. Knowing they would never get beyond flitting around a garden in a fairy dress, Monsieur Ciccolini did
And he did so with great and abiding patience, patience that was justified by the very high fees he was charging. Nina found it all rather amusing. These women saw nothing wrong with expecting