She thought many things, and with them came a flare of anger. Men never had to face these choices. A man could always find work if he looked hard enough. A man had so many more choices than any woman. Oh, you do not think of this when you take girls into your beds, or into a room at a not-too-careful hotel. You do not think of them as real persons, who are doing this not because they want to be in your bed, but because they must go there or starve. You give them money and they go away and you never think of them again. They are the amusement of an hour. Maybe, maybe, you ask for them, look for them again. But not too often, for then they might start to make demands of you. But they think of you. They look at the money you give them, and they wish that all the men would be kind, would not beat them or try to cheat them. They count the money and wonder how long it will last them . . . or they count the money and cry because they must give it all to their procurer, and then give themselves to another stranger, who might not be kind. You do not think of these things . . . yet in your hearts, you know them, in your hearts, but your minds shove them away so they will not be disturbed.
The cat took this moment to jump into the conversation, which was just as well, seeing as she was on verge of saying these things out loud.
When she was all alone, hungry, and facing being put on the street, I knew I must intervene. That was when I stepped in, and I took advantage of her. He then took up the narrative, describing exactly how and from whom he had stolen purses and tickets. Telling how he had herded her onto the Metro, then the boat-train to Calais, onto the ferry, then to the train to Blackpool. How he had found her the boarding house, and how he had devised the little charade of the shipwreck.
When he paused, she spread her hands wide. “And there you have it, for everything else, you know what happened, except that I am Ninette, not Nina.”
Ninette, the cat interjected, who convinced your new ballet-master that she could not benefit from lessons given by him. And you know his credentials are impeccable. Ninette who has been dancing every night, sometimes taking two turns more than anyone else, to increasing acclaim. Ninette, who convinced all of you by her talent to base an entire show around her. Ninette, whose dressing room is thronged every evening by fans and well-wishers, and full of flowers. Who charms the gentlemen of the press and the little girls who give her sticky nosegays of violets.
Out of the corner of her eye, Ninette noticed Jonathon frown a bit at that. But the magician said nothing.
Nigel ran his hand over his hair. “You have me there,” he said. “It isn’t Nina Tchereslavsky that our audiences are coming to see. They come to see the dancer they’ve all heard about, from other people who’ve seen her. Good heavens, I doubt if one in a thousand has ever seen a real ballet-dancer before, much less an entire ballet, and they don’t give a farthing about some ‘Rooskie wench’ who danced in front of people they openly make fun of, like the French and the Germans and the Russians. It might be different if we were the Royal Opera Company—”