She had spent all the rest of that night getting used to the dancer’s body and memories. In class the next day, she had been clumsy at first, occasioning some giggles from the other girls, but she joked and laughed herself about “a little too much champagne” and they all put it off to a hangover. But the creature had a great deal of practice in mastering forms, and by mid-afternoon she was actually dancing better than the original. This was not as hard as it might seem. For one thing, she was able to concentrate as Nina had not been. For another, her body did not tire or hurt as Nina’s had. The beautiful movements of ballet, the creature now knew, were performed more or less in pain. Well, the creature did not generally experience that sort of pain; as long as she could drain others to heal or sustain herself, she would not ever suffer, either.
By the evening’s performance, in which Nina was a soloist, the creature was ready. Backstage, all the beautiful but impecunious boys found themselves relegated to the back of the crowd, as Nina concentrated on the old and rich and not at all beautiful. By morning, Nina was wearing a fur coat, a diamond bracelet, and was about to be installed in a fine little flat complete with maid. Her benefactor had been an aging count, well used to keeping pretty little ballerinas, and if he had a taste for cruelty, well, he did not last long enough to indulge himself in it too much. The next man, a highly successful wine merchant, was easier to deal with, and just as generous.
For some reason, dancers attracted old men. Some much older than the ones that pursued opera divas. This was exactly as the creature that had taken the dancer’s form and place liked it. Old men were prone to dying from a thousand and one causes, and Nina’s benefactors were all very old men, and she was discreet. Most of the time, unless the old gentleman himself wished to flaunt her, as Herr Klaus had, no one knew there was a liaison. As for the ones who paraded her like a trophy, no one thought twice about it when Nina lost a few lovers in such a fashion, since not a single death was directly connected with her. Herr Klaus would be found in his own bed, with no indication that he had been with her last night. Nina’s servants, who were rendered blind and deaf when she chose, could not have told anyone otherwise even if they wanted to.
Perhaps she should go to the Bohemian quarter and find herself a starving artist or tortured poet. Or two. Or three. And it was a very good thing that she was leaving to dance elsewhere; she could take another old man or two there without the rumors of the previous ones following her. She would choose ones who needed to be discreet; that way no one would be the wiser when she consumed them.
The creature had taken the forms and shapes of many beings over the years; an elemental creature of earth, it had first been conjured and inexpertly bound some three hundred years ago by an Earth Master who relied on instinct rather than learning, and whose self-confidence was nothing short of hubris. He was the first human that the creature had devoured; up until then, it had confined itself to lesser Elemental beings and animals. But once she had absorbed the magician . . . that was when things began to change.
Her talent, which had caused the magician to try to bind her in the first place, was that not only could she kill anything by absorbing its essence, she could then imitate it flawlessly afterwards. So once she discovered that, having absorbed her erstwhile captor, she was able to stay on the Material Plane, there was no turning back for her. She had taken on the form of that foolish Elemental magician for quite some time before his life bored her, and when she was ready to move on, it hadn’t taken a lot of effort to find someone else to be.
The creature—the first mage had called her a “Troll”—went back to bed. When the body was found, which it would be soon since the sky to the east was getting brighter, “Nina” needed to be in her bed, alone. She might not be