“If we thought they would be capable of it, we could write something that casts you as the villain but redeems you in the end,” Nigel suggested, as they made their way into the foyer of the building, brightly lit in the newest fashion with fine electric fixtures. “Say . . . your character has a change of heart and helps the girl escape, staying to face the wrath of the sultan?” Nigel’s flat was on the third floor of this rather posh establishment, reached by a modern, brass-caged elevator, although stairs were available. It was self-operated, although the owners of the other two flats in the building generally had their servants do the operating.
“I must say, I like that idea,” Jonathon mused, as they both strolled into the anteroom of Nigel’s flat, to be met by a servant who took their coats. “By the way, I took the liberty of sending my things here . . .”
“I
“I anticipated your requirement, sir, and took the liberty of having a late supper prepared for you and Mr. Hightower.” The manservant nodded in the direction of the dining room, and Nigel and his guest lost no time in settling themselves in there.
Discussion of plots continued over the Welsh rarebit, eggs, bacon, crumpets and broiled tomatoes, Nigel secretly gloating the entire time. For all that Jonathon could be an irritating fellow, he was also entertaining and the best illusionist that Nigel had ever seen. And he had a good sense of storytelling. All his suggestions were sound ones.
“Am I missing something, or have you neglected to cast a romantic male lead in this venture?” Jonathon asked, as they moved their discussion and their whiskeys back into the library, where they each took one of the comfortable Windsor chairs.
“You are not missing anything; I haven’t. I am not sure that I want to.” Nigel tapped the side of his glass thoughtfully. “There is the inevitable problem of finding a dancing partner for her if we do. How many male dancers do you know that are in variety that were trained in ballet?”
Jonathon shook his head.
“Whereas if she doesn’t have a male romantic lead as such, we can just have some of the fellows do the lifts, and maybe assist in her turns. Lads trained in the usual sort of stage dance can do that,” Nigel pointed out.
Jonathon laughed.
“Well, then, I’m not at all sure we need a romantic lead for her. Might be more interesting if your magician character starts out being a villain, and then gets won over and sacrifices himself so she can get away.” He pondered. “Or at least it looks that way. You’ve always wanted to do a spectacular escape trick; how about if the Sultan takes the magician prisoner and he makes a showy escape?”
Jonathon got a wicked gleam in his eye. “Can I make the palace collapse on the Sultan and all his evil minions? Or set it on fire?”
“If you can do it under budget.” That was Arthur, being shown in by the manservant, a whiskey already in his hand.
“I’ll set it on fire. That will sell a lot of tickets,” Jonathon decided. “Besides leaving the ambiguity that maybe the magician was secretly something like Mephistopheles all along, and sent to bring his master the soul of the Sultan.”
“Good idea!” Wolf exclaimed from Arthur’s shoulder. “Makes the whole thing less sticky-sweet. I could even write music for that—”
“All right, that takes care of that. I think we have a pretty strong book for this, and once we know what acts we’ll be putting into it, and how often our star can perform over the course of it, we’ll know exactly what music we need.” Nigel tossed back the last of his drink and refilled it from the decanter himself. “Now, as for the other reason why you in particular are here, Jonathon, let me tell you what we know about the young lady.”
“And her cat,” Wolf added sourly. “Let’s not forget the cat.
“Cat?” Jonathon looked at them all quizzically.
“Let me start at the beginning,” Nigel replied with a laugh, and did so.
When he was done, Jonathon was unexpectedly silent. After waiting for some sort of reaction, and getting nothing, Nigel finally asked, “What are you thinking?”
“That it is certainly interesting. I’m not at all familiar with the Russian Masters. Actually, I don’t think much of anyone is; we have a lot of contact with the French and Italian ones, a little less with the Spanish, but . . .” He shrugged. “It does sound as if her father must have come to an untimely end, probably at the hands of another Master. And if he left such a guardian for his daughter, that suggests he expected whoever his enemy was would come after her as well.”