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She was so stunningly beautiful so he would have listened to her no matter what she said. She was small, dainty, with a mass of dark hair done up in some complicated braided style that looked like a crown and penetrating eyes that seemed to change in color as her mood changed. Her nose was just a trifle too long, but that made her face interesting rather than merely pretty.

If she was to be believed, and was not wildly insane, it was the most sensational case that he was likely to get his hands on!

For this woman claimed—and the papers she brought with her seemed to bear her story out—to be the real Nina Tchereslavsky, and the one currently performing at the Palais Royale was—an imposter! A fraud who had stolen this prima ballerina’s name and reputation, and was battening on both.

Who was the fraud really? This woman did not know. Michael vaguely recalled the stir when the girl was washed up after a shipwreck, speaking nothing but Russian and a bit of French, so it did seem that these two dancers were, in fact, both Russian. And that seemed too much for mere coincidence. This woman only asserted that her imposter was someone she did not know.

It seemed completely impossible, for first of all, how would an unknown Russian dancer come to Blackpool in the first place; why not go somewhere that there were proper ballet troupes, like London? Secondly, why should she claim she was someone of whom Blackpool knew nothing? The cachet of being a Russian ballerina was not that impressive, particularly not in a music hall. And in the third place, why enter music hall at all? Why not attempt to get a part with a ballet or opera company? There was an opera company, at least, in Blackpool; why hadn’t she gone there? And that brought them full circle again: why here, and why not London?

And yet, because it seemed so outrageous, so unlikely, it conversely became, to him, the more believable.

But by itself, it would hardly impress anyone, much less a judge. Michael turned over the documents that had been presented, one by one. It was a fairly thick portfolio. Together they formed a curious collection.

The first lot were press-clippings; interesting, but not particularly useful in and of themselves, since the photographs could have been of almost anyone, and the sketches were of someone who had no real distinguishing features to say the least. And how difficult would it be to assemble such a collection? One could subscribe to bureaus that collected these things for you.

The documents in the second set were more useful; personal letters from various men of wealth and rank. The problem was, though all of them began with “Nina” and ended with the gentleman’s name, they were all in foreign tongues. And where he was going to find someone in Blackpool who could reliably translate Russian, he did not know. There were plenty of Russian exiles, but whom could he trust to give him accurate translations, and not merely write down what they were told to say?

And again, how difficult a thing would these be to counterfeit? If they were love letters it would be one thing; it was unlikely that she would dare present such a thing and very likely they would be repudiated, but a simple letter of admiration for her skill in dancing? No man would really care. And no gentleman was likely to make the long trip to Blackpool England merely to verify that the letter was genuine.

So, while interesting, these were of no particular value.

The third set, however. . . .

It was the habit of people in these days to buy photographic portraits of particularly beautiful women to ornament their walls with. Now, many of these were of young women who had no particular thing to recommend them except their beauty; they were, in fact, known as “PBs” or “Professional Beauties,” and all they were required to be was lovely, amiable, with impeccable manners, and of at least moderate breeding, enough so that they could reasonably be invited to elite social gatherings to add sparkle, like a bouquet of exquisite flowers. That the Crown Prince generally at least made the effort to add them to his ever-growing collection of mistresses went without saying, though not all of them succumbed to him.

But others among the much-photographed were professionals of the stage; actresses mostly, but dancers were included, and even a few opera singers.

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Phoenix and Ashes
Phoenix and Ashes

Elanor Robinson's life had shattered when Father volunteered for the Great War, leaving her alone with a woman he had just married. Then the letter had come that told of her father's death in the trenches and though Eleanor thought things couldn't get any worse, her life took an even more bizarre turn.Dragged to the hearth by her stepmother Alison, Eleanor was forced to endure a painful and frightening ritual during which the smallest finger of her left had was severed and buried beneath a hearthstone. For her stepmother was an Elemental Master of Earth who practiced the darker blood-fueled arts. Alison had bound Eleanor to the hearth with a spell that prevented her from leaving home, caused her to fade from people's memories, and made her into a virtual slave. Months faded into years for Eleanor, and still the war raged. There were times she felt she was losing her mind - times she seemed to see faces in the hearth fire.Reginald Fenyx was a pilot. He lived to fly, and whenever he returned home on break from Oxford, the youngsters of the town would turn out to see him lift his aeroplan - a frail ship of canvas and sticks - into the sky and soar through the clouds.During the war Reggie had become an acclaimed air ace, for he was an Elemental Master of Air. His Air Elementals had protected him until the fateful day when he had met another of his kind aloft, and nearly died. When he returned home, Reggie was a broken man plagued by shell shock, his Elemental powers vanished.Eleanor and Reginald were two souls scourged by war and evil magic. Could they find the strength to help one another rise from the ashes of their destruction?

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