But all Ted found when he got there was his forwarding address. The man at the desk told him that Morgan had moved out. Peter's parole agent had obviously not gotten around to updating the address in the computer, which was sloppy, but they were busy. Ted glanced at it and saw that it was a hotel in the Tenderloin, and determined to do what he'd promised Rick he would the night before, he went there. The clerk at the desk said Morgan was out. Ted showed him his star and asked for the key. The desk clerk wanted to know if he was in trouble, and Ted said it was a standard check of a parolee, which didn't seem to bother him. There had been others who had stayed there before. The desk clerk shrugged and handed Ted the key, and he walked upstairs.
The room he walked into was spare and neat. The clothes in the closet looked new. The papers on the desk were neatly stacked. There was nothing exceptional about the room. Morgan had no drugs, no weapons, no contraband. He didn't even smoke. And he had a fat address book sitting on the desk, held together by a rubber band. Ted flipped through it and found Addison's name and number under the A's. And when he rifled through the desk, two pieces of paper caught Ted's eye, and stopped him dead in his tracks. One had Carlton Waters's number in Modesto on it, and the other piece of paper made his blood run cold. On it was written Fernanda's address. There was no telephone number and no name. Only the address, but he recognized it immediately, even without a name. He closed the book and put the rubber band on it, closed the desk drawer, and after a last look around, he walked out of the room. And as soon as he got back to his car, he called Rick.
“Something smells. And I'm not sure what. In fact, I'm beginning to think it stinks.” Ted was worried, and he looked it. Why did a guy like Morgan have Fernanda's address? What was his connection to Waters, or had they just met in prison? But if so, why did he have his number in Modesto? And what was Addison doing with Morgan's telephone number? Why did Morgan have his? Why did Addison have a file three inches thick on Allan Barnes, and a photograph of Fernanda and the kids? Suddenly there were too many questions, and not enough answers. And two convicts, one of them convicted of murder, who had gotten out of prison on the same day. There were too many coincidences floating in the air. Rick could hear something in his voice that he hadn't heard in years. Ted was panicked, and he wasn't sure why.
“I just left Morgan's room,” he explained. “He's not living at the halfway house anymore. He's living in a hotel in the Tenderloin, and he's got a closet full of new clothes. I'm going to call his parole agent and find out if he got a job.”
“How do you suppose he knows Addison?” Rick asked with interest. He had just come from the hearing to set bail. Addison had gotten off nearly scot free, as far as bail went anyway. He had been asked to put up a two-hundred-and-fifty-thousand-dollar bond, which was peanuts to him. And the judge was letting him leave for Europe with his family in two days. The federal investigation was still on, but his attorney said it could continue during his absence, it was the FBI's problem, not his, and the judge agreed. They had no doubt that Addison would return to San Francisco in four weeks. He had an empire to run. Rick had watched Addison drive off with his attorney, and he was intrigued by what Ted had found in Morgan's room.
“Maybe they're old friends. The ink on the entry with Addison's name and phone number looks old,” Ted explained. But why Carl Waters's phone number in Modesto? And Fernanda Barnes's address on a piece of paper? No phone number or name. Just the address.
“Why?” Rick echoed the single word in Ted's head.
“That's my point. I don't like this, and I'm not even sure why. Something's coming down, I can smell it, but I'm not even sure what it is.” And then he had a thought. “Can I come look at the file Addison has on Barnes?” Maybe something would turn up there. “And do me another favor,” Ted said, as he turned the key in the ignition. He was going straight to Rick's office to see the file, and whatever else Rick had. He was interested in it now. He had no idea what Fernanda had to do with this, but something told him that she was at the hub of the wheel. She was an obvious target for a lot of reasons. But Ted had no idea for what, or who was involved, let alone why. Maybe the answer was in that file.
“What's the favor?” Rick reminded him. Ted sounded distracted, and he was. He was trying to figure it out, and so far nothing had clicked. There were a lot of pieces flying around in midair. Morgan. Waters. Addison. Fernanda. The car bombing. And there were no obvious connections between any of them. Not yet.