I’ve heard about the reel, too. People say a thousand things. It’s the destruction of the town. Or it’s some print of a porno the miners loved. A woman crying. Forty minutes of blackness. Worse. Better. Who can know? Who has the reel now? No one even claims to have seen it, only heard from someone who met someone in a Depot queue who had a family friend in Martian salvage and demolition. Enyo is the sort of thing you thrill about late at night, when shadows feel like electricity on your skin.
But then there’s Adonis. Adonis is different.
[ERASMO drinks his pink lady; he lets AMANDINE take the story.]
It wasn’t a trading post or a farm town. It wasn’t just getting started. It was a whole colony—gone. Divers mostly, like most settlements on Venus. Slaves to the great callowhales, like the rest of us. But in Adonis they built a lovely hotel and carousel for the tourists who came to get their catharsis revved up as the divers risked their lives to milk our benevolent, recalcitrant mothers in their eternal hibernation. I have heard it was a good place. A sweet village on the shores of the Qadesh, plaited grease-weed roofs and doors hammered from the chunks of raw copper you can just walk around and pick up off the Venusian beaches. They lived; they ate the local cacao; and they shot, once or twice a year, a leathery ’tryx from the sky, enough to keep them all in fat and protein for months. There’s good life to be had on Venus. I almost went there instead of Halimede. But in the end, I wanted to fly. Maybe, if I had not flown, I would have found my way to Adonis and helped build the carousel. Then I would have been stuck. Because, just like Enyo and Proserpine, one day—pop! All gone. Houses, stairs, meat-smoking racks, diving bells.
[SEVERIN drinks her saltbeer. You can see her thinking, some new and massive idea taking shape behind her eyes. ERASMO chews on the crust of a crab-heart trifle, mesmerized by AMANDINE’S voice. AMANDINE casts her eyes downward within the equine blinders knotted to her head.]
All gone except for the something new. Only this time, it’s not a reel and it’s not a voice. It’s a little boy, left behind. They say he’s still there. I’ve heard it on the radio, so it’s as true as anything is. He’s stuck, somehow, in the middle of where the village used to be, just walking around in circles. Around and around, like a skip on a phonograph. They can’t get him to talk. He doesn’t eat or drink. He never even stops to sleep. He’s just…there. He’s been there a year already. Like a projection. But flesh.
ERASMO
What do you think happened, Amandine? Don’t listen to Rin, just…what do
AMANDINE
[She is quiet for a long moment.] I think we are all suckling at a teat we do not understand. We need callowmilk. We cannot live without it. We cannot inhabit these worlds without it. But we made a bargain without thinking, because the benefits seemed to be endless and the cost nothing but a few divers, a few accidents—what’s that next to what we stood to gain? My god, it was
Except the callowhales. We don’t even know what they are, not really. Oh, I went to school. I’ve seen the diagrams. But those are only guesses! No one has autopsied one—or even killed one. It cannot even be definitively said whether they are animal or vegetable matter. The first settlers assumed they were barren islands. Huge masses lying there motionless in the water, their surfaces milky, motley, the occasional swirl of chemical blue or gold sizzling through their depths. But as soon as we figured out how unbelievably useful they were, we decided they didn’t matter. Not like