“Listen,” I said. The slick of her booze greased my head. “I know it’s a lot of money and I’m broke. But I don’t want the job. I’ve got no gut for travelling anymore, and I just don’t
The Talbot swung tight into a plaza. I was meant to meet my contact at the Tartarus Diner: not a dive, but not a proper sort of place, either. Clearly we had bypassed Tartarus and headed straight for HQ. Frozen fountains. Tall statue of a naked girl with her arms glued to her sides and her head thrown back so her body looked like a rocket ship. Ice junking up her feet like afterburn.
Melancholia.
The most expensive address in Te Deum—well, one of. Melancholia. There’s four of them, naturally, the Towers. The Humours: Sanguina, Cholera, Phlegma, Melancholia. Four fluorescent high-rises spiking TD like birthday candles. Twisted-up unicorn horns studded with bosses. Bosses run things. The rest of us get run. It’s the only rank that matters these days. You can dress it up as baronies or boyars or caliphates, but that’s just sticking lace and ribbons on a dinosaur and hoping he’ll take you to town. Is you a boss or isn’t you? That’s about the size of it.
I’d been inside Cholera once, for a game of quoits and an unhappy little blowjob. The walls were soft. Like lungs.
“It’s not me, Mr St. John,” Cythera Brass said in that wide-open voice. She poured herself out of the Talbot and came round to open my door—downright gentlemanly, this Iroquois maid. “You made your year. If it were up to me I’d let you lie in it.”
A bubble lift strung us up through Melancholia’s lavender spine. Up above the blue stink of Uranus’s cigar smoke. Through a dormant patch of glowglass I saw black sky and stars. Hard and bright as bullet holes. No moons. Something in my bones rightened up. My body knows that’s how a sky should dress. It poured over me like a hot shower.
The lift bonged out the penthouse, and Cythera Brass, not a molecule out of place, walked crisply out onto a huge checkerboard floor. Her heels smacked kisses on the glass squares. An office, big as a ballroom. Low buttressed ceilings crisscrossed with liquid glowglass patterns, tangerine into candy cane into St. Elmo’s Fire. At one end of the room sat a long black desk with a green lamp on it. A personal long-distance radio setup occupied substantial real estate in the north corner. Windows ate up the whole back wall, opening onto Epi ’Vard, way down below this hundred-story nest. Over the windows hung a painting—a glowglass painting. I’d never heard of anyone who could control glowglass well enough to do something like that. I gawked at it. The colours slid and ran: a lady with no clothes and long peacock-coloured hair. She didn’t use it to cover up, either, the way ladies in paintings like to do. She just stood there, bold naked, looking down at a bloody-bright man with more muscles than pride. He knelt rosily at her saffron feet, offering her a long coppery belt stuck all over with jewels: Hephaestus presenting the girdle to Aphrodite. When she wore that belt, not even the gods could keep it in their trousers. The gems swirled, oozing through every colour, every possible colour. And then, just for a moment, they weren’t gems. They were planets. They were moons. Then they oozed back into garnets and emeralds and opals. I felt sick. Coloursick. Uranian vertigo.
A figure turned toward me, hidden in the shadows of the far right side of the room. I focused on it. It wore brown. Grey. Black. My eyes held on for dear life to that drab spot in the darkness.