Radiance

He wished that his parents should have terrible draws when they dove for callowmilk—and his voice trembled when he said it, for even though he knew it would come out well, it hurt him to wish bad fortune on his family. When he overheard his father weeping in the night because he had wanted seven children for as long as he could remember—being one of seven himself, whose mother and grandmother had also had six siblings—Anchises looked out to the fiery autumn waves and wished that his mother would never have any more children ever, that he should always be an only child and never have three brothers and three sisters, which was too many, anyone would admit. And he wished—finally, guiltily—that all the children in school would hate him and call him names and beat him, that they would shun the sight of him and never ask him along with them when they went fishing after school. He shook all night afterward, terrified that the spell would work, but also terrified that it would not; sick with the conviction that, this time of all times, he had gone too far, wished for something too precious, too impossible, too princely for the magic to manage.

And the amphorae of Anchises’s house swelled with callowmilk.

And the mother of Anchises swelled with twins.

And the children of Anchises’s acquaintance clapped him on the shoulder; and laughed at his shy jokes; and called him Doctor Callow, because he knew even more about callowhales than the teacher did; and boy howdy did the Doctor catch more trout (which are not really trout, but skinny, skittish, scaly fish with wine-coloured fins and three bulging eyes, one of which is a false lantern-eye that lights up at night to seduce krill-which-is-not-really-krill into the creatures’ wide mouths) than anybody else!

Doctor Callow found himself, suddenly, a happy child. And thus happified, he grew to the age of eight in the Land of Milk and Desire, no longer wishing for the opposite of his own desire, for he had all he could ever imagine wanting.

The Famine Queen of Phobos

 (Oxblood Films, 1938, dir. Severin Unck) 

(ACCOMPANYING MATERIAL: RECORD 4, SIDE 2, COMMENCE 0:09)

SC3 EXT. LOCATION #6 MARS/PHOBOS—KALLISTI SQUARE, DAY 49. AFTERNOON [5 APRIL, 1936]

[EXT. The Kallisti Square Depot on Phobos, the larger of Mars’s two moons. The camera careens unsteadily; a throng of furious men and women stampede across the square, slamming bats and batons into the windows of the public distribution centre, the customs house, the cafes and warehouses. They are looking for food—they chant for food, they scream for food, they sob for it. But the distribution centre has nothing. The cafes have nothing. They closed weeks ago, and the warehouses contain little but shipping labels from the last deliveries of bread and callowmilk. The people of Phobos would loot the whole city, if there was anything to loot.

Phobos is a tiny world, with poor soil and few features to lure tourists or investors. It is an industrial settlement, a halfway house between the mines of the asteroid belt and the markets of Earth. Almost all food must come from somewhere else: from Mars itself, from Earth, from the fertile Inner System. Nearby Deimos can offer little help—greener, softer, but her population still hovers precariously over stability; unable, quite, to touch down. Two months ago, the organized workers, led by Arkady Liu and Ellory Lyford, went on strike, demanding all the things workers need and management withholds: wages, shortened contracts, more doctors, more food, more protection. The response was simple: all food shipments to Phobos ceased. A year from now, very few offworlders will not know the name Arkady Liu.

SEVERIN UNCK runs with Liu’s mob, searching for a place to stand and speak. She ducks through the doorway of a Prithvi Deep Sea Holdings processing facility and crouches into the shadows. She breathes heavily, a flush riding in her cheeks. She has not eaten in two days. She has had one cup of water in the last twenty-four hours. She is hiding—her equipment is worth something, even her clothes. She came to shoot something else entirely: a year of holidays, each on a different moon. An ice-cream cone of a project, contracted with Oxblood to pay for the Jupiter project she is already writing in her head.

It is Easter on Phobos. An egg might cost your life.

For the first time, SEVERIN has no script at her feet. She looks into the camera; she stutters slightly on her first words, whispering, trying to recall what she wrote for this scene the night before.]

SEVERIN

Who…wh…who. [She swallows hard, begins again.] Who owns Phobos? China settled it, Britannia Fair owns two thirds of the landmass. The East Indian Trading Company is her mother and her master. But in truth, no nation owns the heart of Phobos.