Rabbit Remembered

Nelson drives the Corolla through West Brewer. Those new-style icicle lights hang like bright napkins from the little porches of the row houses that slant down to the river and the Weiser Street Bridge. The Bridge has old-fashioned lamp standards, yellow glass balls and iron curlicues going green with age, but the light falls cold and contemporary from tall violet tubes on aluminum stems. At the far end of the bridge sits an upscale coffee bar that used to be a black hangout, Jimbo's Friendly Lounge, before the blacks were chased out of South Brewer by gentrification. Then there unrolls beneath the wheels of the Corolla Brewer's main drag in all its Yuletide glory: the trees rimming Weiser Square are looped with necklaces of white lights, scribbles in three dimensions. The square, an open farmer's market originally, was decades ago blocked to form an ill-advised pedestrian park to revive the downtown, but it turned into a dangerous forest, and by a newer plan has been reopened to automobile traffic. They pass Fourth Street, and the bronze statue of Conrad Weiser in Mohawk headdress in the center of the traffic circle at Fifth Street. Trolley cars used to go east, west, north, and south from this point, to amusement parks and picnic groves. The human traffic thickens; the city fathers have laid on a Millennium Ball in the atrium of the glass-enclosed mall between Fifth and Sixth on the left side of the street, as well as the Christian-rock concert a block up on the right, in the great hole. A dim din penetrates the car windows.

"Hey Nelson," Billy says. "The Sunflower Beer clock says it's midnight! Here it's the millennium and we're all stuck in this little Jap jalopy! Nothing's moving!"

"Don't panic," Nelson tells him. "That clock never told the right time. The Laid-Back is only up at Ninth, we'll be there in a minute."

Then Nelson sees the dire occur: at the intersection of Sixth and Weiser, where Kroll's Department Store used to be, two cars ahead of them, the traffic light goes out. Hanging high above the asphalt, the light was green, and now is dead. Not red, dead. The sticky traffic halts completely. Revellers, mostly Hispanic kids in jeans and windbreakers, dart among the cars. A shout is going up, but here and there, as if nobody knows exactly what is happening. The cars behind them honk, in celebration or exasperation. The streetlights flicker.

"Oh my God," Annabelle says, "terrorists just like they said," and begins to cry again.

"It's a little glitch," Billy says, feigning calm, though this must feel like a tunnel to him. "These lights are all on computers."

"Son of a bitch!" Nelson says. Decades of wrongs, hurts, unjust deaths press behind his eyes. He pushes down on the window locks. Hooded kids with sparkle dust on their faces are crowding around the Corolla, and looking up the street toward Mt. Judge. The city's fire alarms begin to wail; church bells are dully ringing. At the top of Mt. Judge, fireworks ignite, one slow bloom after another, mingled with staccato gashes, potassium white and barium green, sodium yellow and chlorine blue, dying, blossoming, dying in drifts of dismissed sparks as the dull concussions thud through the windshield. "We're missing it!" he cries.

The Corolla was the third car from the intersection when the traffic light went out. The first car glided through, unaware of the breakdown, and the next waited for the car on the right to come out and cut across. Sixth is one-way here, so there is no traffic from the left. The cars behind are in the dark, but up this close to the intersection the problem and its solution are plain: take your turn, in democratic American style. The car ahead of Nelson, a little cherry-red specimen of the remodelled VW Beetle, cute as a bug, with oval slant taillights like Disney animal eyes, creeps out and through, and the car on the right, a serious, four-ring, square-cut tan Audi, takes its turn like a good citizen. Then it is Nelson's turn, his dirty white Toyota's turn, to pass through the doused light and continue on, up Weiser toward the mountain and its fireworks, past where Kroll's used to be and where Mom and Dad got together (if they hadn't, he would not exist, think of that) and on across Seventh, where mile-long trains of coal would drag through from Pottsville to Philly and once upon a time there was a Chinese restaurant, and on up to look for a parking space in the blocks beyond the Laid-Back, around where Dad used to set type for the Verity Press. It will be jolly, to walk, the four of them, out in the air. He has an image of a frozen Daiquiri, or should it be a Margarita, with salt all around the rim?