"Is this about money, then?" Janice asks, alert now, the muddle showing its nub. Money is something she has a feel for; it's in her Springer veins. She acted as accountant for her father, and then for Nelson as best she could, until he had so much to hide. Ronnie has his own savings and pension but she handles her inheritance still, when the CDs come due and at what interest and how to keep capital-gains taxes from biting into the mutual funds: the managers of some run up gains just to make their annual reports look good. This girl won't get a penny from her. Janice sips from her mug and looks at the interloper levelly.
Annabelle considers the question, rolling her eyes upward. "No-o, I don't think so. I clear twenty an hour from the agency and often work twelve-hour shifts. My mother left us a fair amount, even divided by three. The farm had only a tiny mortgage on it, in terms of today's money. And she held down a respectable job, the last fifteen years, with this investments advisory firm in the new glass building downtown. She used to laugh at herself, putting on heels and pantyhose every morning, after being such a country slob. She got her weight down to one fifty-five."
"It's wonderful to work," Janice concedes. "Women of our generation came late to it." It disquiets her to link herself with Ruth, Ruth the unspeakable, holding her husband captive on the other side of Mt. Judge, Ruth the treacherous mucky underside of everything respectable.
"No, it's not about money," Annabelle says, edging herself forward on the sofa preparatory to getting to her feet, readjusting the sweater about her shoulders, and regripping her little purse, striped yellow, black, and red. "It was about family, I guess. But never mind, Mrs. Harrison. I can see you'd rather not get involved, and that's no surprise, to be honest. It was my mother's idea, and she was half out of her head with the medications. Dying people aren't the most sensible, often, though you'd think they should be. I did this for her and not for me, because she asked me to." She stands, looking down on Janice.
"Well now, wait."
"You've been patient, actually. I know what a shock it must be." Those deft, solid hands fiddle with her hair, its artful tousle, as if it were she who had felt the shock.
Janice says in her own defense, "You can't just show up and drop a thing like this on a body."
"I didn't know how else to do it. It didn't seem the sort of thing to put in a letter or over the phone." Trained to move fast, she takes the few steps it needs to the door, and puts her hand on the doorknob, an old-fashioned one with a raised design worn shiny with the years, like brass lace. She tugs the sticky door open with a snap that leaves a little reverberation in the air, a cry that dies away.
There is a poignance in this strong female body, the way it moves almost like a man's, like those women soccer players who beat China this summer. Janice keeps losing daughters: Becky, and then Teresa leaving Nelson after nearly twenty years, and Judy at nineteen secretive and surly, living entirely within her whispering Walkman headset, shutting out her grandmother. She begins, "Annabelle, I'm sorry if I seemed stupid-"
"You did not seem stupid. I seemed stupid. You seemed suspicious, and why not? Thank you for the glass of water."
"I need to think, and talk to Ronnie and Nelson."
"Nelson. That's right. My brother. I think of him as a little boy. My mother said how, those months they were together, your husband was always talking about him, upset about him."
Now the girl is out on the porch, standing on the coco-fiber welcome mat, thin late-morning traffic making its whisper behind her, the dusty tired nibbled maple leaves throwing sun-dotted shadow down on the new red Lexus parked by the curb. Bought with her inheritance, Janice guesses. The nosy young neighbor across the street was off her porch at last. "How can we reach you, if we need to?"
Annabelle's feet, in low beige heels, drum on the porch boards, then stop. She turns to say, "I'm in the book. B-Y-E-R. I'm listed as 'A.,' the only one with just that letter. Don't call after nine at night, please. I get up at five-thirty." Her mother's toughness shows. "But you don't have to call at all." Then her bright round face is a child's again; she smiles the way children do, in sudden blurred forgiveness. "I won't expect it. It was nice to meet you. I had thought you'd be shorter."
"When I was married to your father," Janice says, high enough on the sherry to attempt a joke, "I looked shorter."