Ronnie says, husbandly-expansive, covering for her tears, pompously proud of them, "Young Bill Gates here and I are going to have a great time making hotdogs and popcorn and watching the boob tube, watching the future roll our way. It's been 2000 for hours in Fiji and Japan-no Y2K problems in Sydney or Tokyo as far as they can tell. Paris was spectacular a half-hour ago and at seven it's going to hit London, Blair and the Queen and their dumb Dome. For most of the world, midnight is already history! Time is relative, as Einstein pointed out. Isn't that right, Roy?"
"Sort of like that," the boy says, embarrassed by so crudely approximate a truth.
"It stretches," Ronnie obnoxiously insists. "Like a condom." Go to church all he wants, this guy is never going to get his brains out of his pants.
They are de-inhibiting together. Billy announces, "I keep thinking of all those that didn't quite make it. JFK Junior, Payne Stewart, and the other day the Lone Ranger, poor guy."
"God bless you, Billy!" Janice exclaims, burbling out of some chaotic reserve of sorrow that Nelson, dry-eyed, sees into as into a dark well at whose bottom his own head in silhouette glimmers in a disk of reflected sky. Under the pressure of the momentous impalpable event almost upon them they all kiss, Nelson Roy and Janice Pru and Billy Mrs. Angstrom (as he still thinks of her) and Ronnie Annabelle, who tries to deflect him to a cheek but is nailed on the mouth-the same cushiony kind of lips, he cannot but remember, that Ruth once sucked him off with, down in a shack on the Jersey Shore, salt air making everything sticky, the odors of sex tossed everywhere like their clothes, she going at it as if leisurely reducing a Popsicle, stopping and starting and giving him the eye up across his bare belly with its sheen of golden hairs. They all kiss, kiss there by the door, the door with its rasping, failing bell and oval brass knob burnished by uncountable hands, by uncountable comings and goings in the twentieth century, at 89 Joseph Street. The house across the street, Nelson sees, is ablaze as if for a party; in the upper front room the young woman of the house passes preoccupied in a glitzy blouse, her mouth moving with urgent words he cannot hear.
Hurry, they mustn't be late, the maître d' will give their table away; they scramble in an exclamatory tumble into Nelson's off-white Corolla parked at the curb, as excited as teen-agers to be out and off. The plan is the meal and then a movie, not one of the four at the tired mall on the way into Brewer, though as they pass Billy says wistfully in the back seat, "I'd love to see
"Nice," says Annabelle, in the back seat with him.
He goes on, "The most heartbreaking death at the end of this year to my mind, though, was that woman up in a nursing home in Allentown yesterday who was the world's oldest person, it turns out. A hundred nineteen. If she'd hung on just two more days she would have lived in three different centuries."
"I guess that'd be worth doing," Pru says dryly, not quite accepting of Billy yet. She is intent beside Nelson, silently helping him drive. She senses he is stressed. He is thinking of Michael DiLorenzo, another who didn't quite make it into the third millennium.
"Did any of you
Annabelle waits for Pru or Nelson to say something rude, and when they don't allows, "I'm not surprised. Old people love this state. Only Florida has more, proportionally."
The movie Nelson wants them to see is