Christmas for Nelson feels least phony at the Center. These unsettled psyches and unwashed bodies, burdens to society and to their families, who in many cases have abandoned them to a life of shelters and halfway houses, respond to the dim old tale-the homeless couple tainted by a mysterious pregnancy, the child born amid straw and dung, the secret splendor sensed by shepherds and donkeys and oxen standing mute in their stalls. Glenn, he of the blue eyelids and glittering nostril-stud, can play the piano, a skill left over from a closeted adolescence; he extracts the sturdy standard carols from the out-of-tune upright's keyboard while obese Shirley displays a small silvery voice and Dr. Howard Wu a brassy, enthusiastic baritone. The doctor's joining in, with Esther Bloom a conspicuous good sport beside him, singing the Christian words, emboldens the clients: the substance-dependent and delusional, the phobic and borderline, Rosa with her new friend the compulsive nail-biter, whose name is Josephine Foote, and Jim the lusty, swag-bellied addict, who belts out every first line from memory, but then his brain lets go. Nelson is pleased to see Michael DiLorenzo here, letting his cool be thawed, sharing a song sheet with little black Bethleen, a bipolar. The boy's lips move but his ale-dark eyes beneath their handsome brows are elsewhere, muddled and shuttling out of rhythm; he has not shaved this morning, which Nelson takes as a good sign, that his mother's nagging is letting up. All in their ragged fashion get
This is Christmas Eve, a Friday. Next day, Christmas at Mom and Ronnie's seems perfunctory. Nelson drives over to Mt. Judge in the morning, retrieving the Corolla from the curb on Almond Street, where it sits parked for days. The 7-Eleven is open, even as children are opening the presents brought by an omniscient, omnipresent Santa Claus. Weiser Square and the city park are deserted but for a blowing plastic bag and a vagrant stooped pedestrian studying his shadow on this wanly sunny holy day. The mall before the viaduct is a dead-empty lake of striped asphalt. GREEN MILE TOY II ANNA KING GALAX QUEST.
Mom is hard to give to and always was. He used to give her candy, knowing she'd right away let him share it. As he got older his mind had to keep darting away from dainty things, underwear and stockings for her legs that he knew she was proud of. In his childhood they were held up with garters attached to a girdle and had darker widths at the top that were stirring to glimpse. Pantyhose on the other hand had that darker patch in the crotch, shaped like a big lima bean. Once in his teens he gave her some L'eggs and even they, pulled filmy from their egg-shaped containers, made him blush. This year he is strapped-eighty-five a week for his room, three sixty a month to Pru as child support, extras like the mini-fridge he bought to keep his milk from going sour don't leave much from a weekly salary hardly four C's after everybody's tax bite-so he settles on a dozen Top-Flites for Ronnie, even though Dad always said he had a sledge-hammer swing, and for Mom a Better Your Bridge computer program, imagining her up there using the machine in the little room that used to be Mom-mom Springer's sewing room. But Ronnie says, here in this living room where everything has been pushed around to make room for the Christmas tree, that he doesn't want to risk overloading his hardware and crashing the whole memory with all his financial records in it, back to the Seventies.
To ease this rejection, Mom says, "Honestly, Nelson, I doubt if I could use the program, it looks too complicated, I have trouble following even what Doris explains to me, so patiently every time."