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'I'm not half sure,' he said thoughtfully, 'I sha'n't call on you for a speech, Comrade Jackson.'

'Look here, Psmith—' began Mike agitatedly.

'I don't know. I think your solid, incisive style would rather go down with the masses. However, we shall see, we shall see.'

Mike reached the Common in a state of nervous collapse.

Mr Waller was waiting for them by the railings near the pond. The apostle of the Revolution was clad soberly in black, except for a tie of vivid crimson. His eyes shone with the light of enthusiasm, vastly different from the mild glow of amiability which they exhibited for six days in every week. The man was transformed.

'Here you are,' he said. 'Here you are. Excellent. You are in good time. Comrades Wotherspoon and Prebble have already begun to speak. I shall commence now that you have come. This is the way. Over by these trees.'

They made their way towards a small clump of trees, near which a fair-sized crowd had already begun to collect. Evidently listening to the speakers was one of Clapham's fashionable Sunday amusements. Mr Waller talked and gesticulated incessantly as he walked. Psmith's demeanour was perhaps a shade patronizing, but he displayed interest. Mike proceeded to the meeting with the air of an about-to-be-washed dog. He was loathing the whole business with a heartiness worthy of a better cause. Somehow, he felt he was going to be made to look a fool before the afternoon was over. But he registered a vow that nothing should drag him on to the small platform which had been erected for the benefit of the speaker.

As they drew nearer, the voices of Comrades Wotherspoon and Prebble became more audible. They had been audible all the time, very much so, but now they grew in volume. Comrade Wotherspoon was a tall, thin man with side-whiskers and a high voice. He scattered his aitches as a fountain its sprays in a strong wind. He was very earnest. Comrade Prebble was earnest, too. Perhaps even more so than Comrade Wotherspoon. He was handicapped to some extent, however, by not having a palate. This gave to his profoundest thoughts a certain weirdness, as if they had been uttered in an unknown tongue. The crowd was thickest round his platform. The grown-up section plainly regarded him as a comedian, pure and simple, and roared with happy laughter when he urged them to march upon Park Lane and loot the same without mercy or scruple. The children were more doubtful. Several had broken down, and been led away in tears.

When Mr Waller got up to speak on platform number three, his audience consisted at first only of Psmith, Mike, and a fox-terrier. Gradually however, he attracted others. After wavering for a while, the crowd finally decided that he was worth hearing. He had a method of his own. Lacking the natural gifts which marked Comrade Prebble out as an entertainer, he made up for this by his activity. Where his colleagues stood comparatively still, Mr Waller behaved with the vivacity generally supposed to belong only to peas on shovels and cats on hot bricks. He crouched to denounce the House of Lords. He bounded from side to side while dissecting the methods of the plutocrats. During an impassioned onslaught on the monarchical system he stood on one leg and hopped. This was more the sort of thing the crowd had come to see. Comrade Wotherspoon found himself deserted, and even Comrade Prebble's shortcomings in the way of palate were insufficient to keep his flock together. The entire strength of the audience gathered in front of the third platform.

Mike, separated from Psmith by the movement of the crowd, listened with a growing depression. That feeling which attacks a sensitive person sometimes at the theatre when somebody is making himself ridiculous on the stage—the illogical feeling that it is he and not the actor who is floundering—had come over him in a wave. He liked Mr Waller, and it made his gorge rise to see him exposing himself to the jeers of a crowd. The fact that Mr Waller himself did not know that they were jeers, but mistook them for applause, made it no better. Mike felt vaguely furious.

His indignation began to take a more personal shape when the speaker, branching off from the main subject of Socialism, began to touch on temperance. There was no particular reason why Mr Waller should have introduced the subject of temperance, except that he happened to be an enthusiast. He linked it on to his remarks on Socialism by attributing the lethargy of the masses to their fondness for alcohol; and the crowd, which had been inclined rather to pat itself on the back during the assaults on Rank and Property, finding itself assailed in its turn, resented it. They were there to listen to speakers telling them that they were the finest fellows on earth, not pointing out their little failings to them. The feeling of the meeting became hostile. The jeers grew more frequent and less good-tempered.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука