Plain Kate

When you are carving a narrow point, like the tail of this fish, her father had said to her, big hands over her little ones, and the carving beneath them, this is a time of danger. The knife may slip. It may follow a grain and spoil the line. There may be a flaw deep in the wood that will snap your work in two. You will want to leave the tail thick and crude; that is safer. A master carver will be brave, and trust the wood. Things will find their shape. Kate, My Star. Lift your knife.

Plain Kate stood up. Between her and the road was a steep slope, almost a bluff, tangled with the bent roots of the willows and clogged with nettles. She tilted her chin up. “Taggle,” she said, “we’re leaving.”

¶

When Kate finally reached the road she was scratched and netttle stung and shaking with exhaustion. It had only been a little climb, but her body was weak. She tried to hear her father’s voice: Be brave. Things will find their shape. Lift your knife.

She turned her back on the way Linay had been going, and followed the road upriver. The road went with the grain of the land, cutting between the river bluffs and the strip of farmland won from the forest: fields of wheat and millet, with the wooded hills beyond. It was a narrow road, quiet. Kate walked and Taggle ambled at her heels.

As she walked, the weather changed. Butter sunshine gave way to a light like watered milk, and then to a thick fog, wet as drizzle. The fog caught and twisted the sound of crows in the wheat, hoarse as a mob of voices.

A little way into the fog they found a tree stump abandoned in the road. It was oak, big as a shed, and still harnessed to a yoke that stood empty. Plain Kate touched one of the hames: ash wood, old but well-made, its inner curve smooth as a lady’s wrist. It was not the sort of thing people in a poor country left to lie in the middle of the road. Plain Kate edged around the stump—and then she saw something that made her stop. In among the biggest roots was a knot of wood, twice as big as her head. It was a burl.

Burls had twisting grains that made them hard to carve, but made them beautiful. Many a carver had made his masterpiece from just such a burl. Kate had dreamed of it—but had never been able to afford the wood. Burl wood was rare and expensive.

Plain Kate looked down at her hands, stiff and patched with scars, white and pink like the belly of an old fish. In an unknown country, with not so much as a kopek in her pocket, there were better things to carry than ten pounds of wood. And there were easier things to carve, when you weren’t sure if your hands would serve you. Indeed, anything she could have chosen would be easier to carve than an oak burl.

But she took it anyway.

¶

Plain Kate walked down the road with the oak burl under one arm. Crumbs and clots of dirt broke into the folds of her white dress. But there was no one to tut over the damage. The foggy road was beginning to grow strange with its emptiness. The fields, which should have been bustling with harvesters, were empty. The farm huts let no smoke from their chimneys. She met a cow that lowed to be milked and butted at her. Mile after mile, there was no one.

She came finally to a wheat field that was half harvested, rough-shorn as Drina’s hair. It was quiet, thick with starlings that were feasting on the fallen wheat.

Plain Kate was a town girl, but she knew that wheat shouldn’t be left to lie in the fields until poppies came up through it. She walked beside the red flowers, feeling her legs begin to tremble with their weakness. Something was wrong. Something was wrong.

She kept walking. There was a brew-house sour smell of wheat rotting. A wave of starlings startled as she passed, and flew up, twisting over her head like a ribbon of smoke. Taggle craned his neck to follow the flight, but he was staying close to her side, almost like a dog. She didn’t mention that, of course.

She trudged on. Her legs felt like old wineskins: her skin stiff and her muscles sloshing. She teetered a little as she walked, though she tried not to. But there was nowhere to stop. She squinted ahead. There was a place where the wheat was still standing, and beyond that, at the edge of the field, a windrow of birch. When she reached that windrow, she promised herself, she would cut a walking staff and stop to carve it. She locked her eyes on the white trees and tried to keep her feet from dragging. When she got to the windrow, she kept thinking. When she got to the windrow—

But she never reached it.