Perfume. The story of a murderer

Runel’s laboratory and shop fell far short of being so grandly equipped as Baldini’s perfume shop in Paris had been in its day. An average perfumer would not have made any great progress with its few floral oils, colognes, and spices. Grenouille, however, recognized with the first inhaled sniff that the ingredients on hand would be quite sufficient for his purposes. He did not want to create a great scent; he did not want to create a prestigious cologne such as he had once made for Baldini, one that stood out amid a sea of mediocrity and tamed the masses. Nor was even the simple orange blossom scent that he had promised the marquis his true goal. The customary essences of neroli, eucalyptus, and cypress were meant only as a cover for the actual scent that he intended to produce: that was the scent of humanness. He wanted to acquire the human-being odor-if only in the form of an inferior temporary surrogate-that he did not possess himself. True, the odor of human being did not exist, any more than the human countenance. Every human being smelled different, no one knew that better than Grenouille, who recognized thousands upon thousands of individual odors and could sniff out the difference of each human being from birth on. And yet-there was a basic perfumatory theme to the odor of humanity, a rather simple one, by the way: a sweaty-oily, sour-cheesy, quite richly repulsive basic theme that clung to all humans equally and above which each individual’s aura hovered only as a small cloud of more refined particularity.

That aura, however, the highly complex, unmistakable code of a personal odor, was not perceptible for most people in any case. Most people did not know that they even had such a thing, and moreover did everything they could to disguise it under clothes or fashionable artificial odors. Only that basic odor, the primitive human effluvium, was truly familiar to them; they lived exclusively within it and it made them feel secure; and only a person who gave off that standard vile vapor was ever considered one of their own.

It was a strange perfume that Grenouille created that day. There had never before been a stranger one on earth. It did not smell like a scent, but like a human being who gives off a scent. If one had smelled this perfume in a dark room, one would have thought a second person was standing there. And if a human being, who smelled like a human being, had applied it, that person would have seemed to have the smell of two people, or, worse still, to be a monstrous double creature, like some figure that you can no longer clearly pinpoint because it looks blurred and out of focus, like something at the bottom of a lake beneath the shiver of waves.

And to imitate this human odor-quite unsatisfactorily, as he himself knew, but cleverly enough to deceive others-Grenouille gathered up the most striking ingredients in Runel’s workshop.

There was a little pile of cat shit behind the threshold of the door leading out to the courtyard, still rather fresh. He took a half teaspoon of it and placed it together with several drops of vinegar and finely ground salt in a mixing bottle. Under the worktable he found a thumbnail-sized piece of cheese, apparently from one of Runel’s lunches. It was already quite old, had begun to decompose, and gave off a biting, pungent odor. From the lid of a sardine tub that stood at the back of the shop, he scratched off a rancid, fishy something-or-other, mixed it with rotten egg and castoreum, ammonia, nutmeg, horn shavings, and singed pork rind, finely ground. To this he added a relatively large amount of civet, mixed these ghastly ingredients with alcohol, let it digest, and filtered it into a second bottle. The bilge smelled revolting. Its stink was putrid, like a sewer, and if you fanned its vapor just once to mix it with fresh air, it was as if you were standing in Paris on a hot summer day, at the comer of the rue aux Fers and the rue de la Lingerie, where the odors from Les Halles, the Cimetiere des Innocents, and the overcrowded tenements converged.

On top of this disgusting base, which smelled more like a cadaver than a human being, Grenouille spread a layer of fresh, oily scents: peppermint, lavender, turpentine, lime, eucalyptus, which he then simultaneously disguised and tamed with the pleasant bouquet of fine floral oils-geranium, rose, orange blossom, and jasmine. After a second dilution with alcohol and a splash of vinegar there was nothing left of the disgusting basic odor on which the mixture was built. The latent stench lay lost and unnoticeable under the fresh ingredients; the nauseous part, pampered by the scent of flowers, had become almost interesting; and, strangely enough, there was no putrefaction left to smell, not the least. On the contrary, the perfume seemed to exhale the robust, vivacious scent of life.