Perfume. The story of a murderer

Baldini held his candle up to this lump of humankind wheezing “storax” and thought: Either he is possessed, or a thieving impostor, or truly gifted. For it was perfectly possible that the list of ingredients, if mixed in the right proportions, could result in the perfume Amor and Psyche-it was, in fact, probable. Attar of roses, clove, and storax-it was those three ingredients that he had searched for so desperately this afternoon. Joining them with the other parts of the composition-which he believed he had recognized as well-would unite the segments into a pretty, rounded pastry. It was now only a question of the exact proportions in which you had to join them. To find that out, he, Baldini, would have to run experiments for several days, a horrible task, almost worse than the basic identification of the parts, for it meant you had to measure and weigh and record and all the while pay damn close attention, because the least bit of inattention-a tremble of the pipette, a mistake in counting drops-could ruin the whole thing. And every botched attempt was dreadfully expensive. Every ruined mixture was worth a small fortune…

He wanted to test this mannikin, wanted to ask him about the exact formula for Amor and Psyche. If he knew it, to the drop and dram, then he was obviously an impostor who had somehow pinched the recipe from Pelissier in order to gain access and get a position with him, Baldini. But if he came close, then he was a genius of scent and as such provoked Baldini’s professional interest. Not that Baldini would jeopardize his firm decision to give up his business! This perfume by Pelissier was itself not the important thing to him. Even if the fellow could deliver it to him by the gallon, Baldini would not dream of scenting Count Verhamont’s Spanish hides with it, but… But he had not been a perfumer his life long, had not concerned himself his life long with the blending of scents, to have lost all professional passions from oae moment to the next. Right now he was interested in finding out the formula for this damned perfume, and beyond that, in studying the gifts of this mysterious boy, who had parsed a scent right off his forehead. He wanted to know what was behind that. He was quite simply curious.

“You have, it appears, a fine nose, young man,” he said, once Grenouille had ceased his wheezings; and he stepped back into the workshop, carefully setting the candlestick on the worktable, “without doubt, a fine nose, but…”

“I have the best nose in Paris, Maitre Baldini,” Grenouille interrupted with a rasp. “I know all the odors in the world, all of them, only I don’t know the names of some of them, but I can learn the names. The odors that have names, there aren’t many of those, there are only a few thousand. I’ll learn them all, I’ll never forget the name of that balm, storax, the balm is called storax, it’s called storax…”

“Silence!” shouted Baldini. “Do not interrupt me when I’m speaking! You are impertinent and insolent. No one knows a thousand odors by name. Even I don’t know a thousand of them by name, at best a few hundred, for there aren’t more than a few hundred in our business, all the rest aren’t odors, they are simply stenches.”

During the rather lengthy interruption that had burst from him, Grenouille had almost unfolded his body, had in fact been so excited for the moment that he had flailed both arms in circles to suggest the “all, all of them” that he knew. But at Baldini’s reply he collapsed back into himself, like a black toad lurking there motionless on the threshold.

“I have, of course, been aware,” Baldini continued, “for some time now that Amor and Psyche consisted of storax, attar of roses, and cloves, plus bergamot and extract of rosemary et cetera. All that is needed to find that out is, as I said, a passably fine nose, and it may well be that God has given you a passably fine nose, as He has many, many other people as well— particularly at your age. A perfumer, however”-and here Baldini raised his index finger and puffed out his chest-”a perfumer, however, needs more than a passably fine nose. He needs an incorruptible, hardworking organ that has been trained to smell for many decades, enabling him to decipher even the most complicated odors by composition and proportion, as well as to create new, unknown mixtures of scent. Such a nose”-and here he tapped his with his finger-”is not something one has, young man! It is something one acquires, by perseverance and diligence. Or could you perhaps give me the exact formula for Amor and Psyche on the spot? Well? Could you?”

Grenouille did not answer.

“Could you perhaps give me a rough guess?” Baldini said, bending forward a bit to get a better look at the toad at his door. “Just a rough one, an estimation? Well, speak up, best nose in Paris!”

But Grenouille was silent.