Other Earths (collection)

Percy “talked white.” That was the verdict Elsebeth had passed after meeting him. It was a condescending thing to say, excusable only from the lips of a child, but I knew what she meant. Percy was two generations out of slavery. If I closed my eyes and listened to his voice, I could imagine that I had been hired by some soft-spoken Harvard graduate. He was articulate, even for a newspaper man. And we had learned, over the course of this lengthy expedition, to make allowances for our differences. We had some common ground. We were both the offspring of radical parents, for example. The “madness of the fifties” had touched us both, in different ways.

“You suppose we’ll find anything substantial at the end of this road?” Percy asked.

“The landlady mentioned some old sheds.”

“Sheds would be acceptable,” Percy said, his weariness showing. “It’s been a long haul for you, Tom. And not much substantial work. Maybe this time?”

“Maybe.”

“Documents, oral accounts, that’s all useful, but a photograph—just one, just to show that something remains—well, that would be important.”

“I’ll photograph any old shed you like, Percy, if it pleases you.” Though on this trip I had seen more open fields—long since burned over and regrown—than anything worthy of being immortalized. Places edited from history. Absences constructed as carefully as architecture. I had no reason to think Pilgassi Acres would be different.

Percy seldom spoke out loud about the deeper purpose of his quest or the book he was currently writing. Fair enough, I thought; it was a sensitive subject. Like the way I don’t talk much about Cuba, though I had served a year and a half there under Lee. The spot is too tender to touch.

These hills were low and covered with stunted pines and other rude vegetation. The road soon grew even more rough, but we began to encounter evidence of a prior human presence. A few fenceposts. Scraps of rusted barbwire. The traces of an old narrow-gauge railbed. Then we passed under a wooden sign suspended between two lodgepoles on which the words PILGASSI ACRES in an ornate script were still legible, though the seasons had bleached the letters to ghosts.

There was also the remains of a wire fence, tangled over with brambles.

“Stop here,” Percy said.

“Might be more ahead,” I suggested.

“This is already more than we’ve seen elsewhere. I want a picture of that sign.”

“I can’t guarantee it’ll be legible,” I said, given the way the sun was striking it, and the faint color of the letters, pale as chalk on the white wood.

“Well, try,” Percy said shortly.

So I set up my equipment and did that. For the first time in a long while, I felt as though I was earning my keep.

The first book Percy had written was called Every Measure Short of War, and it was a history of Abolitionism from the Negro point of view.

The one he was writing now was to be called Where Are the Three Million?

I made a dozen or so exposures and put my gear back in the carriage. Percy took the reins this time and urged the horses farther up the trail. Scrub grass and runt pines closed in on both sides of us, and I found myself watching the undergrowth for motion. The landlady’s warning had come back to haunt me.

But the woods were empty. An old stray dog paced us for a few minutes, then fell behind.

My mother had once corresponded with Mrs. Harriet Beecher Stowe, who was a well-known abolitionist at one time, though the name is now mostly forgotten. Percy had contacted my parents in order to obtain copies of that correspondence, which he had quoted in an article for the Tocsin.

My mother, of course, was flattered, and she continued her correspondence with Percy on an occasional basis. In one of his replies Percy happened to remark that he was looking for a reliable photographer to hire for the new project he had in mind. My mother, of course, sent him to me. Perhaps she thought she was doing me a favor.

Thus it was not money but conscience that had propelled me on this journey. Conscience, that crabbed and ecclesiastical nag, which inevitably spoke, whether I heeded it or not, in a voice much like my mother’s.

The remains of Pilgassi Acres became visible as we rounded a final bend, and I was frankly astonished that so much of it remained intact. Percy Camber drew in his breath.

Here were the administrators’ quarters (a small building with pretensions to the colonial style), as well as five huge barnlike buildings and fragments of paving stones and mortared brick where more substantial structures had been demolished.

All silent, all empty. No glass in the small windows. A breeze like the breath from a hard-coal stove seeped around the buildings and tousled the meadow weeds that lapped at them. There was the smell of old wood that had stood in the sunlight for a long time. There was, beneath that, the smell of something less pleasant, like an abandoned latrine doused with lime and left to simmer in the heat.