“I don’t think I
It wasn’t a choice Roddy made then, not something he could say he decided to do and then did. He just moved. Here was Suzy, breaking, and there he was, feet away, moving to her. She held herself tight and small, and he enveloped her, the way his father used to envelop his mother, by his sheer size. He held her, his chin nearly level with the top of her head, and when she looked up at him he kissed her tears, and her eyes, and her cheeks, and everywhere the tears touched, because it was the only thing he could possibly do.
IN THE SHADOW OF THY WINGS WILL I MAKE MY REFUGE
ART VAUGHN WAS INCONSOLABLE. He’d been holding off mourning the loss of his daughter for more than twenty years, keeping alive the hope that she’d return to him someday. Now there was nothing more to put between himself and the pain, between the fact of the world with Lorna and the fact of the world without her. There were no maybes, no more possibilities, no more roads that led his daughter back to him. She was just gone, and Art Vaughn sat on his living room sofa and cried as he should have cried on Lorna’s wedding day.
Art and Penny Vaughn had been unable to conceive. But they had adopted Lorna in infancy, and Osprey Island was the only home she ever knew. The Vaughns were cut and dried: they acted according to the dictates of the Church, ate ground beef, Kraft Singles, and Rice-a-Roni, and lived in an aluminum-sided ranch house, blue ducks and pink cows stenciled on the walls, wicker baskets of syrupy potpourri and stitched quilt samplers festooning every cranny. Lorna’s parents loved her as a streak down the center of their otherwise eventless lives. They distrusted Lance even before they knew him, had always looked down on Merle Squire and the disgraces that defined her. When Lorna met Lance she was not yet thirteen years old—a child!— and Lance’s mere existence seemed to grant Lorna all the permission she needed to break into the lawless limbo of adolescence.
On an autumn evening in 1965, Lance had arrived at the Vaughns’ nest of faux-country charm to pick up Lorna for their first official date. It was his first and last encounter with Lorna’s father.
Lance was formal and officious, standing militarily at ease beside a framed cross-stitch of the Lord’s Prayer and answering to the third degree that passed for small talk when it came to some chump from the high school wanting to get into the panties of Art Vaughn’s only daughter. Art knew you could never trust a boy. His only hope, as he saw it, was to instill enough fear in the young man’s heart so that even if Lorna was ready to put out (as he feared she would), the boy might develop a case of temporary impotence. Art didn’t know if he had that kind of power to frighten, but for the sake of his little girl’s virginity, he gave it all he had.
“You’re Merle’s boy,” Art said. It was not a question.
“Yes sir.” Lance nodded once.
“Your mother’s doing well.” The pause that followed Art’s statements were his only indication of inquisition.
“Hasn’t done herself in yet,” Lance said.
“Say what?”
Lance shook his head in self-effacement.