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He walked until the low cloud definition began to increase. Shadows building. The sun going down. He remembered flights out of gloomy airfields penned down with rain. Jets jostled by weather, nosing for the cloud banks. The fog of them, dense against the windows, then the sudden break into astonishing, lovely blue. He thought now of a cloud cover without break, constantly mashing and folding against itself as it greedily smothered the world. Which way was this going? Nuclear winter or greenhouse? He realised he'd stopped walking. He was staring at the underbelly of cloud and its greasy gamut of colours. They changed as if inspired by moods. His, maybe. Industrial colours sometimes, alchemic: a range of molten smoky hues. Burnt gold, white-hot slag, the cold blue of steel. Sometimes the colours of pathology, of disease. Or mildew and smog, oil slicks and blood. They contained a look of something seriously damaged that could not be fixed. The rain that slashed out of them was muddy orange, like rust in water. He had to keep swiping the back of his gloves across the black Os of his goggles; his view was perpetually gritty, streaked. He wondered how long the rain would take to eat through the lenses.

And then he saw that he could not see because he was crying. He had to bend down, to rest on his knees, otherwise the shaking in his body was going to topple him over. He unshouldered the rucksack and let it fall to the floor. The sudden sense of liberation, the lightening at his shoulders, highlighting the claustrophobia he was feeling. He couldn't breathe. He ripped off the bicycle mask and the goggles. The wind driving into his face was delicious. He tore off his shirt and trousers, kicked away his boots. He ran naked through the slime of dead grass, angling up along a line of rocks embedded in the mud like rotted teeth in a black gum. He was crying and screaming and howling. The jouncing glasses on their strap around his neck cracked him hard in the chin and he tumbled, off balance, fetching up three feet away from the elongated rictal skull of a sheep, its hollowed eye sockets brimming with mud and rain. His breath flew from him; he scooted back on his knees. Mud oozed through his splayed fingers, stark white against the bruised earth like fallen stars.

He stood up, the wind instantly punching into him. He felt the rain already, stinging at his flesh, tasting him. He put his hands on the barrel of the binoculars and raised them to his eyes. He performed a slow, clumsy pirouette. He never completed it.

6. TRESPASS

. . . Hi, I'm Jane. Yeah, I know, I know, a girl's name . . . but it's my surname. My first name is aw, fuck it . . . . . . Richard Jane. Pleased to meet you. And with whom am I now engaged in conversation . . . with? Shit . . .

... Hello. My name's Richard. Any idea what happened here? Here's a plan. Let's stick together . . .

. . . HOW DID YOU SURVIVE? WHO ARE YOU? HOW DID YOU FUCKING SURVIVE?

He lay on his back in the grass, desperate to sleep but unable to until they decided to rest too. And they did not look likely to be resting any time soon. He had followed them through the afternoon, deep into evening. He was shattered and suddenly making no progress. They appeared to be moving in circles, as if they had lost something on the ground that they were eager to recover. But he recognised shock and exhaustion when he saw it. He looked again now, rolling over and pressing the rubber cups of the binoculars to the goggles. They were about half a mile away, trudging through a shallow valley. Two figures in matching red waterproof jackets, hoods raised. One of them was smaller, leaner than the other. A woman? A couple? He had watched them approach farmhouses and then back off, as if too afraid of what they might see should they open a door, which suggested to Jane that they had seen human bodies. They were drifting, passive, hopeless, waiting for something to force the pace. It gave him confidence.

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