I stopped at the top of the bunkroom corridor and let Amena go on alone. I didn’t want Eletra to see me or to realize I was lurking out here, since I thought that might impede Amena’s ability to get her to talk. Amena reached the hatch and sent Eletra a note on the feed:
While Eletra opened the hatch with the feed control and they sorted through the clothes, I checked my inputs for the others: Arada and Overse had stopped in the corridor that went toward the engineering module. Arada hugged Overse, and Overse kissed her and said into her ear, “You can do this, babe. You’re a bulkhead.”
“I’m a wibbly bulkhead,” Arada muttered.
(The wibbliness was why I trusted Arada. Overconfident humans who don’t listen to anybody else scare the hell out of me.)
Arada stepped back and smiled at Overse. “Got to get to work.”
ART had dispatched the medical gurney earlier and it had been moving methodically around the ship picking up messy dead Targets. Now it floated into Medical where Ratthi waited, Thiago following it in. There was a lot of congealing blood and fluids. “Oh, this is not going to be fun,” Ratthi muttered.
“No,” Thiago agreed grimly. “I’ll get the biohazard gear.”
ART added to its action list:
In the bunkroom, Amena was asking, “How are you feeling?”
“Better.” Eletra folded a jacket in her lap. “I know you’re going to ask, but we didn’t know those implant things were in us. I don’t remember that at all.”
I was still mad, right? But it was interesting. I said,
I hate it when ART is right. It was the same operational approach and we really needed to find out if the Targets had used alien remnant tech to cause the memory disruptions or not. I said,
ART had a lot stricter standards about what constituted evidence than humans did. It was always wanting to prove things actually existed before it would make plans for what to do about them. (Yes, it was annoying.)
ART said,
I didn’t want to admit it, but ART wasn’t wrong about that, either. This tech wasn’t useless, but I’d taken targetControlSystem down with an attack that was practically from ancient history. (That’s how I’d known about it, from watching historical dramas.)
ART created a feed graphic (yes, another one) labeled