Читаем Murder on the Orient Express полностью

“The evidence of Mr. Hardman, who is a member of a New York detective agency–” (Several heads turned, to look at Mr. Hardman.) – “shows that no one could have passed his compartment (No. 16 at the extreme end) without being seen by him. We are therefore forced to the conclusion that the murderer is to be found among the occupants of one particular coach – the Stamboul-Calais coach.

“That, I will say, was our theory.”

Comment?” ejaculated M. Bouc, startled.

“But I will put before you an alternative theory. It is very simple. Mr. Ratchett had a certain enemy whom he feared. He gave Mr. Hardman a description of this enemy and told him that the attempt, if made at all, would most probably be made on the second night out from Stamboul.

“Now I put it to you, ladies and gentlemen, that Mr. Ratchett knew a good deal more than he told. The enemy, as Mr. Ratchett expected, joined the train at Belgrade or else at Vincovci by the door left open by Colonel Arbuthnot and Mr. MacQueen, who had just descended to the platform. He was provided with a suit of Wagon Lit uniform, which he wore over his ordinary clothes, and a pass-key which enabled him to gain access to Mr. Ratchett’s compartment in spite of the door’s being locked. Mr. Ratchett was under the influence of a sleeping draught. This man stabbed him with great ferocity and left the compartment through the communicating door leading to Mrs. Hubbard’s compartment–”

“That’s so,” said Mrs. Hubbard, nodding her head.

“He thrust the dagger he had used into Mrs. Hubbard’s sponge-bag in passing. Without knowing it, he lost a button of his uniform. Then he slipped out of the compartment and along the corridor. He hastily thrust the uniform into a suitcase in an empty compartment, and a few minutes later, dressed in ordinary clothes, he left the train just before it started off, using the same means for egress – the door near the dining-car.”

Everybody gasped.

“What about that watch?” demanded Mr. Hardman.

“There you have the explanation of the whole thing. Mr. Ratchett had omitted to put his watch back an hour as he should have done at Tzaribrod. His watch still registered Eastern European time, which is one hour ahead of Central European time. It was a quarter past twelve when Mr. Ratchett was stabbed – not a quarter past one.”

“But it is absurd, that explanation!” cried M. Bouc. “What of the voice that spoke from the compartment at twenty-three minutes to one? It was either the voice of Ratchett – or else that of his murderer.”

“Not necessarily. It might have been – well – a third person. One who had gone in to speak to Ratchett and found him dead. He rang the bell to summon the conductor; then, as you express it, the wind rose in him – he was afraid of being accused of the crime, and he spoke pretending to be Ratchett.”

C’est possible,” admitted M. Bouc grudgingly.

Poirot looked at Mrs. Hubbard. “Yes, Madame, you were going to say–”

“Well, I don’t quite know what I was going to say. Do you think I forgot to put my watch back too?”

“No, Madame. I think you heard the man pass through – but unconsciously. Later you had a nightmare of a man being in your compartment and woke up with a start and rang for the conductor.”

“Well, I suppose that’s possible,” admitted Mrs. Hubbard.

Princess Dragomiroff was looking at Poirot with a very direct glance. “How do you explain the evidence of my maid, Monsieur?”

“Very simply, Madame. Your maid recognised the handkerchief I showed her as yours. She somewhat clumsily tried to shield you. She did encounter the man, but earlier – while the train was at Vincovci station. She pretended to have seen him at a later hour, with a confused idea of giving you a water-tight alibi.”

The Princess bowed her head. “You have thought of everything, Monsieur. I – I admire you.”

There was a silence.

Then everyone jumped as Dr. Constantine suddenly hit the table a blow with his fist.

“But no,” he said. “No, no, and again no! That is an explanation that will not hold water. It is deficient in a dozen minor points. The crime was not committed so – M. Poirot must know that perfectly well.”

Poirot turned a curious glance on him. “I see,” he said, “that I shall have to give you my second solution. But do not abandon this one too abruptly. You may agree with it later.”

He turned back again to face the others.

“There is another possible solution of the crime. This is how I arrived at it.

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Рекс Стаут, создатель знаменитого цикла детективных произведений о Ниро Вулфе, большом гурмане, страстном любителе орхидей и одном из самых великих сыщиков, описанных когда-либо в литературе, на этот раз поручает расследование запутанных преступлений частному детективу Текумсе Фоксу, округ Уэстчестер, штат Нью-Йорк.В уединенном лесном коттедже найдено тело Ридли Торпа, финансиста с незапятнанной репутацией. Энди Грант, накануне убийства посетивший поместье Торпа и первым обнаруживший труп, обвиняется в совершении преступления. Нэнси Грант, сестра Энди, обращается к Текумсе Фоксу, чтобы тот снял с ее брата обвинение в несовершённом убийстве. Фокс принимается за расследование («Смерть дублера»).Очень плохо для бизнеса, когда в банки с качественным продуктом кто-то неизвестный добавляет хинин. Частный детектив Эми Дункан берется за это дело, но вскоре ее отстраняют от расследования. Перед этим машина Эми случайно сталкивается с машиной Фокса – к счастью, без серьезных последствий, – и девушка делится с сыщиком своими подозрениями относительно того, кто виноват в порче продуктов. Виновником Эми считает хозяев фирмы, конкурирующей с компанией ее дяди, Артура Тингли. Девушка отправляется навестить дядю и находит его мертвым в собственном офисе… («Плохо для бизнеса»)Все началось со скрипки. Друг Текумсе Фокса, бывший скрипач, уговаривает частного детектива поучаствовать в благотворительной акции по покупке ценного инструмента для молодого скрипача-виртуоза Яна Тусара. Фокс не поклонник музыки, но вместе с другом он приходит в Карнеги-холл, чтобы послушать выступление Яна. Концерт проходит как назло неудачно, и, похоже, всему виной скрипка. Когда после концерта Фокс с товарищем спешат за кулисы, чтобы утешить Яна, они обнаруживают скрипача мертвым – он застрелился на глазах у свидетелей, а скрипка в суматохе пропала («Разбитая ваза»).

Рекс Тодхантер Стаут

Классический детектив