Читаем Murder on the Orient Express полностью

“That’s O.K. To tell the truth I’ve been wondering you didn’t get down to it sooner. Here are my keys, gentlemen, and if you like to search my pockets too, why, you’re welcome. Shall I reach the grips down for you?”

“The conductor will do that. Michel!”

The contents of Mr. Hardman’s two “grips” were soon examined and passed. They contained, perhaps, an undue proportion of spirituous liquor. Mr. Hardman winked.

“It’s not often they search your grips at the frontiers – not if you fix the conductor. I handed out a wad of Turkish notes right away, and there’s been no trouble so far.”

“And atParis?”

Mr. Hardman winked again. “By the time I get to Paris,” he said, “what’s left over of this little lot will go into a bottle labelled hairwash.”

“You are not a believer in Prohibition, Monsieur Hardman,” said M. Bouc with a smile.

“Well,” said Hardman, “I can’t say Prohibition has ever worried me any.”

“Ah!” said M. Bouc. “The speakeasy.” He pronounced the word with care, savouring it. “Your American terms are so quaint, so expressive,” he said.

“Me, I would much like to go to America,” said Poirot.

“You’d learn a few go-ahead methods over there,” said Hardman. “Europe needs waking up. She’s half asleep.”

“It is true that America is the country of progress,” agreed Poirot. “There is much that I admire about Americans. Only – I am perhaps old-fashioned – but me, I find the American women less charming than my own countrywomen. The French or the Belgian girl, coquettish, charming – I think there is no one to touch her.”

Hardman turned away to peer out at the snow for a minute.

“Perhaps you’re right, M. Poirot,” he said. “But I guess every nation likes its own girls best.” He blinked as though the snow hurt his eyes.

“Kind of dazzling, isn’t it?” he remarked. “Say, gentlemen, this business is getting on my nerves. Murder and the snow and all. And nothing doing. Just hanging about and killing time. I’d like to get busy after someone or something.”

“The true Western spirit of hustle,” said Poirot with a smile.

The conductor replaced the bags and they moved on to the next compartment. Colonel Arbuthnot was sitting in a corner smoking a pipe and reading a magazine.

Poirot explained their errand. The Colonel made no demur. He had two heavy leather suitcases.

“The rest of my kit has gone by long sea,” he explained.

Like most Army men the Colonel was a neat packer. The examination of his baggage took only a few minutes. Poirot noted a packet of pipe-cleaners.

“You always use the same kind?” he asked. “Usually. If I can get ’em.”

“Ah!” Poirot nodded. These pipe-cleaners corresponded exactly with the one he had found on the floor of the dead man’s compartment.

Dr. Constantine remarked as much when they were out in the corridor again.

Tout de même,” murmured Poirot, “I can hardly believe it. It is not dans son caractère, and when you have said that, you have said everything.”

The door of the next compartment was closed. It was that occupied by Princess Dragomiroff. They knocked on the door and the Princess’s deep voice called “Entrez!”

M. Bouc was spokesman. He was very deferential and polite as he explained their errand.

The Princess listened to him in silence, her small toad-like face quite impassive.

“If it is necessary, Messieurs,” she said quietly when he had finished, “that is all there is to it. My maid has the keys. She will attend to it with you.”

“Does your maid always carry your keys, Madame?” asked Poirot.

“Certainly, Monsieur.”

“And if, during the night at one of the frontiers, the customs officials should require a piece of luggage to be opened?”

The old lady shrugged her shoulders. “It is very unlikely. But in such a case, the conductor would fetch her.”

“You trust her, then, implicitly, Madame?”

“I have told you so already,” said the Princess quietly. “I do not employ people whom I do not trust.”

“Yes,” said Poirot thoughtfully. “Trust is indeed something in these days. It is perhaps better to have a homely woman whom one can trust than a more chic maid – for example, some smart Parisienne.”

He saw the dark intelligent eyes come slowly round and fasten themselves upon his face. “What exactly are you implying, M. Poirot?”

“Nothing, Madame. I? Nothing.”

“But yes. You think, do you not, that I should have a smart Frenchwoman to attend to my toilet?”

“It would be perhaps more usual, Madame.” She shook her head. “Schmidt is devoted to me.” Her voice dwelt lingeringly on the words. “Devotion – c’est impayable.”

The German woman had arrived with the keys. The Princess spoke to her in her own language, telling her to open the valises and help the gentlemen in their search. She herself remained in the corridor looking out at the snow, and Poirot remained with her, leaving M. Bouc to the task of searching the luggage.

She regarded him with a grim smile.

“Well, Monsieur, do you not wish to see what my valises contain?”

He shook his head. “Madame, it is a formality, that is all.”

“Are you so sure?”

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Рекс Стаут, создатель знаменитого цикла детективных произведений о Ниро Вулфе, большом гурмане, страстном любителе орхидей и одном из самых великих сыщиков, описанных когда-либо в литературе, на этот раз поручает расследование запутанных преступлений частному детективу Текумсе Фоксу, округ Уэстчестер, штат Нью-Йорк.В уединенном лесном коттедже найдено тело Ридли Торпа, финансиста с незапятнанной репутацией. Энди Грант, накануне убийства посетивший поместье Торпа и первым обнаруживший труп, обвиняется в совершении преступления. Нэнси Грант, сестра Энди, обращается к Текумсе Фоксу, чтобы тот снял с ее брата обвинение в несовершённом убийстве. Фокс принимается за расследование («Смерть дублера»).Очень плохо для бизнеса, когда в банки с качественным продуктом кто-то неизвестный добавляет хинин. Частный детектив Эми Дункан берется за это дело, но вскоре ее отстраняют от расследования. Перед этим машина Эми случайно сталкивается с машиной Фокса – к счастью, без серьезных последствий, – и девушка делится с сыщиком своими подозрениями относительно того, кто виноват в порче продуктов. Виновником Эми считает хозяев фирмы, конкурирующей с компанией ее дяди, Артура Тингли. Девушка отправляется навестить дядю и находит его мертвым в собственном офисе… («Плохо для бизнеса»)Все началось со скрипки. Друг Текумсе Фокса, бывший скрипач, уговаривает частного детектива поучаствовать в благотворительной акции по покупке ценного инструмента для молодого скрипача-виртуоза Яна Тусара. Фокс не поклонник музыки, но вместе с другом он приходит в Карнеги-холл, чтобы послушать выступление Яна. Концерт проходит как назло неудачно, и, похоже, всему виной скрипка. Когда после концерта Фокс с товарищем спешат за кулисы, чтобы утешить Яна, они обнаруживают скрипача мертвым – он застрелился на глазах у свидетелей, а скрипка в суматохе пропала («Разбитая ваза»).

Рекс Тодхантер Стаут

Классический детектив