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“She did. She commented at once upon his somewhat unpleasant appearance. If a woman is concerned, as you seem to think (to my mind without any evidence but on a mere assumption), I can assure you that Miss Debenham could not possibly be implicated.”

“You feel warmly in the matter,” said Poirot with a smile.

Colonel Arbuthnot gave him a cold stare. “I really don’t know what you mean,” he said.

The stare seemed to abash Poirot. He dropped his eyes and began fiddling with the papers in front of him.

“All this is by the way,” he said. “Let us be practical and come to facts. This crime, we have reason to believe, took place at a quarter past one last night. It is part of the necessary routine to ask everyone on the train what he or she was doing at that time.”

“Quite so. At a quarter past one, to the best of my belief, I was talking to the young American fellow-secretary to the dead man.”

“Ah! were you in his compartment, or was he in yours?”

“I was in his.”

“That is the young man of the name of MacQueen?”

“Yes.”

“He was a friend or acquaintance of yours?”

“No, I never saw him before this journey. We fell into casual conversation yesterday and both became interested. I don’t as a rule like Americans – haven’t any use for ’em–”

Poirot smiled, remembering MacQueen’s strictures on “Britishers.”

“–but I liked this young fellow. He’d got hold of some tomfool idiotic ideas about the situation in India. That’s the worst of Americans – they’re so sentimental and idealistic. Well, he was interested in what I had to tell him. I’ve had nearly thirty years’ experience of the country. And I was interested in what he had to tell me about the working of Prohibition in America. Then we got down to world politics in general. I was quite surprised to look at my watch and find it was a quarter to two.”

“That is the time you broke up this conversation?”

“Yes.”

“What did you do then?”

“Walked along to my own compartment and turned in.”

“Your bed was made up ready?”

“Yes.”

“That is the compartment – let me see – No. 15 – the one next but one to the end away from the dining-car?”

“Yes.”

“Where was the conductor when you went to your compartment?”

“Sitting at the end at a little table. As a matter of fact MacQueen called him just as I went in to my own compartment.”

“Why did he call him?”

“To make up his bed, I suppose. The compartment hadn’t been made up for the night.”

“Now, Colonel Arbuthnot, I want you to think carefully. During the time you were talking to Mr. MacQueen, did anyone pass along the corridor outside the door?”

“A good many people, I should think. I wasn’t paying attention.”

“Ah! but I am referring to – let us say, the last hour and a half of your conversation. You got out at Vincovci, didn’t you?”

“Yes, but only for about a minute. There was a blizzard on. The cold was something frightful. Made one quite thankful to get back to the fug, though as a rule I think the way these trains are overheated is something scandalous.”

M. Bouc sighed. “It is very difficult to please everybody,” he said. “The English they open everything – then others they come along and shut everything. It is very difficult.”

Neither Poirot nor Colonel Arbuthnot paid any attention to him.

“Now, Monsieur, cast your mind back,” said Poirot encouragingly. “It was cold outside. You have returned to the train. You sit down again, you smoke – perhaps a cigarette – perhaps a pipe–”

He paused for the fraction of a second.

“A pipe for me. MacQueen smoked cigarettes.”

“The train starts again. You smoke your pipe. You discuss the state of Europe – of the world. It is late now. Most people have retired for the night. Does anyone pass the door? Think.”

Arbuthnot frowned in the effort of remembrance.

“Difficult to say,” he said. “You see I wasn’t paying any attention.”

“But you have the soldier’s observation for detail. You notice without noticing, so to speak.”

The Colonel thought again, but shook his head.

“I couldn’t say. I don’t remember anyone passing except the conductor. Wait a minute – and there was a woman, I think.”

“You saw her? Was she old – young?”

“Didn’t see her. Wasn’t looking that way, just a rustle and a sort of smell of scent.”

“Scent? A good scent?”

“Well, rather fruity, if you know what I mean. I mean you’d smell it a hundred yards away. But mind you,” the Colonel went on hastily, “this may have been earlier in the evening. You see, as you said just now, it was just one of those things you notice without noticing, so to speak. Some time that evening I said to myself – ‘Woman-scent-got it on pretty thick.’ But when it was I can’t be sure, except that – why, yes, it must have been after Vincovci.”

“Why?”

“Because I remember – sniffing, you know – just when I was talking about the utter washout Stalin’s Five Year Plan was turning out. I know the idea woman brought the idea of the position of women in Russia into my mind. And I know we hadn’t got on to Russia until pretty near the end of our talk.”

“You can’t pin it down more definitely than that?”

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Рекс Стаут, создатель знаменитого цикла детективных произведений о Ниро Вулфе, большом гурмане, страстном любителе орхидей и одном из самых великих сыщиков, описанных когда-либо в литературе, на этот раз поручает расследование запутанных преступлений частному детективу Текумсе Фоксу, округ Уэстчестер, штат Нью-Йорк.В уединенном лесном коттедже найдено тело Ридли Торпа, финансиста с незапятнанной репутацией. Энди Грант, накануне убийства посетивший поместье Торпа и первым обнаруживший труп, обвиняется в совершении преступления. Нэнси Грант, сестра Энди, обращается к Текумсе Фоксу, чтобы тот снял с ее брата обвинение в несовершённом убийстве. Фокс принимается за расследование («Смерть дублера»).Очень плохо для бизнеса, когда в банки с качественным продуктом кто-то неизвестный добавляет хинин. Частный детектив Эми Дункан берется за это дело, но вскоре ее отстраняют от расследования. Перед этим машина Эми случайно сталкивается с машиной Фокса – к счастью, без серьезных последствий, – и девушка делится с сыщиком своими подозрениями относительно того, кто виноват в порче продуктов. Виновником Эми считает хозяев фирмы, конкурирующей с компанией ее дяди, Артура Тингли. Девушка отправляется навестить дядю и находит его мертвым в собственном офисе… («Плохо для бизнеса»)Все началось со скрипки. Друг Текумсе Фокса, бывший скрипач, уговаривает частного детектива поучаствовать в благотворительной акции по покупке ценного инструмента для молодого скрипача-виртуоза Яна Тусара. Фокс не поклонник музыки, но вместе с другом он приходит в Карнеги-холл, чтобы послушать выступление Яна. Концерт проходит как назло неудачно, и, похоже, всему виной скрипка. Когда после концерта Фокс с товарищем спешат за кулисы, чтобы утешить Яна, они обнаруживают скрипача мертвым – он застрелился на глазах у свидетелей, а скрипка в суматохе пропала («Разбитая ваза»).

Рекс Тодхантер Стаут

Классический детектив