"If that's true, the leaves should all be off the trees — assuming you're still in or near Toronto. Have you seen outside today?"
"What you think of as yesterday doesn't count."
"Blue, right? The color of the room."
"There's a poster of the brain's structure on one wall, isn't there? I asked you to make a rip in it ten centimeters up from the lower-left corner."
"Yes, I did. Last time we communicated. Go look: you'll see it. A one-centimeter rip."
"No, it doesn't. But it, plus those three X's on your forearm, do mean that you are the same instantiation I've contacted before."
"It isn't — although I understand you think it is."
"So you'd think. But, gee, well, I don't know — it's as though your ability to form new long-term memories is gone. You can't remember anything new."
"No. That's the strange thing. The biological Jacob Sullivan only underwent the Mindscan process last month. You couldn't have been created any earlier than that."
"I have no idea."
"Yes."
A long pause.
"They're in the toilet."
St. Martin's Press came through, offering an advance against royalties of $110 million for the next Karen Bessarian book. Meanwhile, Immortex agreed to pay for half the litigation costs, and to provide whatever other support they could.
Karen spent $600,000 to buy the earliest possible trial slot at auction. The whole thing struck me as obscene, but I guess that was just my Canadian perspective. In the States, you could jump the queue for health care if you had enough money; why shouldn't you be able to do that for justice, too? Anyway, as Deshawn explained, because Karen bought the trial slot, the case was framed as her suing Tyler.
Deshawn Draper and Maria Lopez spent a couple of days picking jurors. Of course, Deshawn wanted fans of Karen's work — either the original books, or the movies based on them. And he wanted to stack the jury with blacks, Hispanics, and gays, whom he — and the consultant we'd hired — felt might be more predisposed to a broader definition of personhood.
Deshawn also wanted rich jurors — the hardest kind to get, because the rich tended to find excuses to shirk their civic responsibility. "Death and taxes are supposed to be unavoidable," Deshawn had said to us. "But the poor know that the rich have ways to avoid paying their fair share to the IRS. Still, they get some comfort from the fact that death is the great leveler — or it was, until Immortex. They're going to resent Karen finding a way around that. Meanwhile, the rich are always paranoid about greedy relatives; wealthy people are going to despise Tyler."
I watched, fascinated — and slightly appalled — during