On November 21, 1932, the
Three days later, Fard was arrested. Under interrogation, he insisted that he had never commanded anyone to sacrifice a human being. He claimed that he was the “supreme being on earth.” (At least, that was what he said during his first interrogation. The second time he was arrested, months later, he “admitted,” according to the police, that the Nation of Islam was nothing but “a racket.” He had invented the prophecies and the cosmologies “to get all the money he could.”) Whatever the truth of the matter, the upshot was this: in exchange for having the charges dropped, Fard agreed to leave Detroit once and for all.
And so we come to May 1933. And to Desdemona, saying goodbye to the Muslim Girls Training and General Civilization Class. Head scarves frame faces streaked with tears. The girls file by, kissing Desdemona on both cheeks. (My grandmother will miss the girls. She has grown very fond of them.) “My mother used to tell me in bad times silkworms no can spin,” she says. “Make bad silk. Make bad cocoons.” The girls accept this truth and examine the newly hatched worms for signs of despair.
In the Silk Room, all the shelves are empty. Fard Muhammad has transferred power to a new leader. Brother Karriem, the former Elijah Poole, is now Elijah Muhammad, Supreme Minister of the Nation of Islam. Elijah Muhammad has a different vision for the Nation’s economic future. From now on, it will be real estate, not clothing.
And now Desdemona is descending the stairs on her way out. She reaches the first floor and turns to look back at the lobby. For the first time ever, the Fruit of Islam do not guard the lobby entrance. The drapes hang open. Desdemona knows she should keep going out the back door, but she has nothing to lose now, and so ventures toward the front. She approaches the double doors and pushes her way into the sanctum sanctorum.
For the first fifteen seconds, she stands still, as her idea of the room switches places with reality. She had imagined a soaring dome, a richly colored Ezine carpet, but the room is just a simple auditorium. A small stage at one end, folding chairs stacked along the walls. She absorbs all this quietly. And then, once more, there is a voice:
“Hello, Desdemona.”
On the empty stage, the Prophet, the Mahdi, Fard Muhammad, stands behind the podium. He is barely more than a silhouette, slender and elegant, wearing a fedora that shadows his face.
“You’re not supposed to be in here,” he says. “But I guess today it’s all right.”
Desdemona, her heart in her throat, manages to ask, “How you know my name?”
“Haven’t you heard? I know everything.”
Coming through the heating vent, Fard Muhammad’s deep voice had made her solar plexus vibrate. Now, closer up, it penetrates her entire body. The rumble spreads down her arms until her fingers are tingling.
“How’s Lefty?”
This question rocks Desdemona back on her heels. She is speechless. She is thinking many things at once, first of all, how can Fard know her husband’s name, did she tell Sister Wanda? . . . and, second, if it’s true he knows everything, then the rest must be true, too, about the blue-eyed devils and the evil scientist and the Mother Plane from Japan that will come to destroy the world and take the Muslims away. Dread seizes her, while at the same time she is remembering something, asking where she has heard that voice before . . .
Now Fard Muhammad steps from behind the podium. He crosses the stage and descends to the main floor. He approaches Desdemona while continuing to display his omniscience.
“Still running the speakeasy? Those days are numbered. Lefty better find something else to do.” Fedora tilted to one side, suit neatly buttoned, face in shadow, the Mahdi approaches her. She wants to flee but cannot. “And how are the children?” Fard asks. “Milton must be what now, eight?”
He is only ten feet away. As Desdemona’s heart madly thumps, Fard Muhammad removes his hat to reveal his face. And the Prophet smiles.