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But Milton persisted: “Your body temperature’s changing all the time, Tess. You may not notice, but it is. You’re in constant flux, temperature-wise. Say, for instance”—a little cough—“you happen to be ovulating. Then your temperature goes up. Six tenths of a degree, in most case scenarios. Now,” my father went on, gaining steam, not noticing that his wife was frowning, “if we were to implement the system we talked about the other day—just for instance, say—what you’d do is, first, establish your base temperature. It might not be ninety-eight point six. Everybody’s a little different. That’s another thing I learned from Uncle Pete. Anyway, once you established your base temperature, then you’d look for that six-tenths-degree rise. And that’s when, if we were to go through with this, that’s when we’d know to, you know, mix the cocktail.”

My mother said nothing. She only put the thermometer into the box, closed it, and handed it back to her husband.

“Okay,” he said. “Fine. Suit yourself. We may get another boy. Number two. If that’s the way you want it, that’s the way it’ll be.”

“I’m not so sure we’re going to have anything at the moment,” replied my mother.

Meanwhile, in the greenroom to the world, I waited. Not even a gleam in my father’s eye yet (he was staring gloomily at the thermometer case in his lap). Now my mother gets up from the so-called love seat. She heads for the stairway, holding a hand to her forehead, and the likelihood of my ever coming to be seems more and more remote. Now my father gets up to make his rounds, turning out lights, locking doors. As he climbs the stairway, there’s hope for me again. The timing of the thing had to be just so in order for me to become the person I am. Delay the act by an hour and you change the gene selection. My conception was still weeks away, but already my parents had begun their slow collision into each other. In our upstairs hallway, the Acropolis nightlight is burning, a gift from Jackie Halas, who owns a souvenir shop. My mother is at her vanity when my father enters the bedroom. With two fingers she rubs Noxzema into her face, wiping it off with a tissue. My father had only to say an affectionate word and she would have forgiven him. Not me but somebody like me might have been made that night. An infinite number of possible selves crowded the threshold, me among them but with no guaranteed ticket, the hours moving slowly, the planets in the heavens circling at their usual pace, weather coming into it, too, because my mother was afraid of thunderstorms and would have cuddled against my father had it rained that night. But, no, clear skies held out, as did my parents’ stubbornness. The bedroom light went out. They stayed on their own sides of the bed. At last, from my mother, “Night.” And from my father, “See you in the morning.” The moments that led up to me fell into place as though decreed. Which, I guess, is why I think about them so much.

The following Sunday, my mother took Desdemona and my brother to church. My father never went along, having become an apostate at the age of eight over the exorbitant price of votive candles. Likewise, my grandfather preferred to spend his mornings working on a modern Greek translation of the “restored” poems of Sappho. For the next seven years, despite repeated strokes, my grandfather worked at a small desk, piecing together the legendary fragments into a larger mosaic, adding a stanza here, a coda there, soldering an anapest or an iamb. In the evenings he played his bordello music and smoked a hookah pipe.

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