Across the street Mrs. Bidzikian sings the climactic three notes of the “Queen of the Night” aria from
“Rose, get my bag.”
“Nishan, no,” his wife objects. “If they see you come out, they’ll know we’re hiding.”
“No one will see.”
The flames first registered to Desdemona as lights on the ships’ hulls. Orange brushstrokes flickered above the waterline of the U.S.S.
Lefty’s head rested on her shoulder. She checked to see if he was asleep. “Lefty. Lefty?” When he didn’t respond, she kissed the top of his head. Then the sirens went off.
She sees not one fire but many. There are twenty orange dots on the hill above. And they have an unnatural persistence, these fires. As soon as the fire department puts out one blaze, another erupts somewhere else. They start in hay carts and trash bins; they follow kerosene trails down the center of streets; they turn corners; they enter bashed-in doorways. One fire penetrates Berberian’s bakery, making quick work of the bread racks and pastry carts. It burns through to the living quarters and climbs the front staircase where, halfway up, it meets Charles Berberian himself, who tries to smother it with a blanket. But the fire dodges him and races up into the house. From there it sweeps across an Oriental rug, marches out to the back porch, leaps nimbly up onto a laundry line, and tightrope-walks across to the house behind. It climbs in the window and pauses, as if shocked by its good fortune: because everything in this house is just made to burn, too—the damask sofa with its long fringe, the mahogany end tables and chintz lampshades. The heat pulls down wallpaper in sheets; and this is happening not only in this apartment but in ten or fifteen others, then twenty or twenty-five, each house setting fire to its neighbor until entire blocks are burning. The smell of things burning that aren’t meant to burn wafts across the city: shoe polish, rat poison, toothpaste, piano strings, hernia trusses, baby cribs, Indian clubs. And hair and skin. By this time, hair and skin. On the quay, Lefty and Desdemona stand up along with everyone else, with people too stunned to react, or still half-asleep, or sick with typhus and cholera, or exhausted beyond caring. And then, suddenly, all the fires on the hillside form one great wall of fire stretching across the city and—it’s inevitable now—start moving down toward them.
(And now I remember something else: my father, Milton Stephanides, in robe and slippers, bending over to light a fire on Christmas morning. Only once a year did the need to dispose of a mountain of wrapping paper and cardboard packaging overrule Desdemona’s objections to using our fireplace. “Ma,” Milton would warn her, “I’m going to burn up some of this garbage now.” To which Desdemona would cry,
Dr. Philobosian stepped out into the street, looked both ways, and ran straight across through the door opposite. He climbed to the landing, where he could see the top of Mrs. Bidzikian’s head from behind as she sat in the living room. He ran to her, telling her not to worry, it was Dr. Philobosian from across the street. Mrs. Bidzikian seemed to nod, but her head didn’t come back up. Dr. Philobosian knelt beside her. Touching her neck, he felt a weak pulse. Gently he pulled her out of the chair and laid her on the floor. As he did so, he heard footsteps on the stairway. He hurried across the room and hid behind the drapes just as the soldiers stormed in.
For fifteen minutes, they ransacked the apartment, taking whatever the first band had left. They dumped out drawers and slit open sofas and clothing, looking for jewelry or money hidden inside. After they were gone, Dr. Philobosian waited a full five minutes before stepping out from behind the drapes. Mrs. Bidzikian’s pulse had stopped. He spread his handkerchief over her face and made the sign of the cross over her body. Then he picked up his doctor’s bag and hurried down the stairs again.