Middlesex

My father had dressed that morning with special care. Despite an outward show of tranquillity, Milton was beset by an unaccustomed feeling of dread, and so armored himself in his most commanding clothes: over his plump body, a charcoal pinstripe suit; around his bullfrog neck, a Countess Mara necktie; and in the buttonholes of his shirtsleeves, his “lucky” Greek Drama cuff links. Like our Acropolis nightlight, the cuff links had come from Jackie Halas’s souvenir shop in Greektown. Milton wore them whenever he met with bank loan officers or auditors from the IRS. That Monday morning, however, he had trouble putting the cuff links in; his hands were not steady enough. In exasperation he asked Tessie to do it. “What’s the matter?” she asked tenderly. But Milton snapped, “Just put the cuff links in, will you?” He held out his arms, looking away, embarrassed by his body’s weakness.

Silently Tessie inserted the links, tragedy in one sleeve, comedy in the other. As we came out of the hotel that morning they glittered in the early morning sun, and under the influence of those two-sided accessories, what happened next took on contrasting tones. There was tragedy, certainly, in Milton’s expression as they left me off at the library. During Milton’s time away, his image of me had reverted to the girl I’d been a year earlier. Now he faced the real me again. He saw my ungainly movements as I climbed the library steps, the broadness of my shoulders inside my Papagallo coat. Watching from the cab, Milton came face-to-face with the essence of tragedy, which is something determined before you’re born, something you can’t escape or do anything about, no matter how hard you try. And Tessie, so used to feeling the world through her husband, saw that my problem was getting worse, was accelerating. Their hearts were wrung with anguish, the anguish of having children, a vulnerability as astonishing as the capacity for love that parenthood brings, in a cuff link set all its own . . .

. . . But now the cab was driving away, Milton was wiping his brow with his handkerchief; and the grinning face in his right sleeve came into view, for there was a comic aspect to events that day, too. There was comedy in the way Milton, while still worrying about me, kept one eye on the rocketing taxi meter. At the Clinic, there was comedy in the way Tessie, idly picking up a waiting-room magazine, found herself reading about the juvenile sexual rehearsal play of rhesus monkeys. There was even a brand of harsh satire in my parents’ quest itself, because it typified the American belief that everything can be solved by doctors. All this comedy, however, is retrospective. As Milton and Tessie prepared to see Dr. Luce, a hot foam was rising in their stomachs. Milton was thinking back to his early navy days, to his time in the landing craft. This was just like that. Any minute the door was going to drop away and they would have to plunge into the churning night surf . . .

In his office Luce got straight to the point. “Let me review the facts of your daughter’s case,” he said. Tessie noted the change at once. Daughter. He had said “daughter.”